简介:音乐与感官

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Dane Stalcup
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引用次数: 0

摘要

为什么音乐能激发我们的欲望,活跃我们的情绪?除了听觉,它与我们的其他感官有什么关系?音乐的存在对人性意味着什么?音乐到底意味着什么?Wayne Koestenbaum暗示了其中一些与听歌剧和看歌剧体验有关的问题的答案:“歌手的声音在人体中产生振动和共振”(2001,42)。事实上,从毕达哥拉斯到作曲家让-菲利普·拉莫,几千年来,音乐作为波浪和振动感觉的物理系统的想法一直激励着思想家。当然,音乐也与人类的激情,甚至可能与我们的道德直接相关。Koestenbaum继续说道:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction: music and the senses
Why does music stir our desires and enliven our emotions? Beyond hearing, how does it relate to our other senses? What does the existence of music suggest about human nature? And what does music even mean? Wayne Koestenbaum hints at answers to some of these questions in relation to the experience of hearing – and seeing – opera: “A singer’s voice sets up vibrations and resonances in the human body” (2001, 42). Indeed, the idea of music as a physical system of waves and vibrational sensations has inspired thinkers for millennia, from Pythagoras to the composer Jean-Philippe Rameau and beyond. So, too, of course, has the notion that music links directly to human passions and perhaps even our morality. Koestenbaum continues:
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
46
期刊介绍: Nineteenth-Century Contexts is committed to interdisciplinary recuperations of “new” nineteenth centuries and their relation to contemporary geopolitical developments. The journal challenges traditional modes of categorizing the nineteenth century by forging innovative contextualizations across a wide spectrum of nineteenth century experience and the critical disciplines that examine it. Articles not only integrate theories and methods of various fields of inquiry — art, history, musicology, anthropology, literary criticism, religious studies, social history, economics, popular culture studies, and the history of science, among others.
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