圣歌创作中的音高系列：一个示范

IF 0.5 1区艺术学 0 MEDIEVAL & RENAISSANCE STUDIES

Plainsong & Medieval Music Pub Date : 2018-04-01 DOI:10.1017/S0961137118000013

T. Bailey

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引用次数: 1

摘要

本文阐述了一种分析方法，揭示了西方礼拜圣歌的旋律结构的简单基础，这些圣歌属于呼应和对唱两大类。其中包括历史观察，旨在解释从七世纪到十三世纪期间圣歌旋律的起源和演变。

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Pitch series in chant composition: a demonstration

ABSTRACT The exposition of an analytical method that reveals the simple basis of the melodic structure of Western liturgical chants belonging to the two general categories of responsory and antiphon. Included are historical observations meant to explain the origin and evolution of chant-melody in the period from the seventh to the thirteenth century.

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来源期刊

Plainsong & Medieval Music Multiple-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.