{"title":"一本书的历史:宾根的希尔德加德的《Riesencodex》和第二次世界大战","authors":"Jennifer Bain","doi":"10.1017/S0961137118000098","DOIUrl":null,"url":null,"abstract":"ABSTRACT Only two large collections of Hildegard of Bingen's music are extant, today housed in the Katholieke Universiteit in Leuven (B-LVu, no shelf number) and in the Hochschul-und Landesbibliothek RheinMain in Wiesbaden (D-WI1 2, the so-called ‘Riesencodex’). The Riesencodex, though, was almost lost during World War II. It survived both bombing and plundering in Dresden in February 1945, only to be appropriated by the Soviet Administration in 1947. Using archival records from the Hessisches Hauptstaatsarchiv in Wiesbaden from the 1940s and 1950s, I detail the efforts of a number of people to retrieve the manuscript after the war and bring it back to Wiesbaden. Franz Götting, the director of the Wiesbaden library, spent several years trying to recover the manuscript through official channels. Its eventual return to Wiesbaden in 1948, however, came about surreptitiously, largely through the efforts of Margarete Kühn at the German Academy in East Berlin and an American woman, Caroline Walsh, in Berlin as a military spouse.","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":"27 1","pages":"143 - 170"},"PeriodicalIF":0.5000,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0961137118000098","citationCount":"1","resultStr":"{\"title\":\"History of a book: Hildegard of Bingen's ‘Riesencodex’ and World War II\",\"authors\":\"Jennifer Bain\",\"doi\":\"10.1017/S0961137118000098\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Only two large collections of Hildegard of Bingen's music are extant, today housed in the Katholieke Universiteit in Leuven (B-LVu, no shelf number) and in the Hochschul-und Landesbibliothek RheinMain in Wiesbaden (D-WI1 2, the so-called ‘Riesencodex’). The Riesencodex, though, was almost lost during World War II. It survived both bombing and plundering in Dresden in February 1945, only to be appropriated by the Soviet Administration in 1947. Using archival records from the Hessisches Hauptstaatsarchiv in Wiesbaden from the 1940s and 1950s, I detail the efforts of a number of people to retrieve the manuscript after the war and bring it back to Wiesbaden. Franz Götting, the director of the Wiesbaden library, spent several years trying to recover the manuscript through official channels. Its eventual return to Wiesbaden in 1948, however, came about surreptitiously, largely through the efforts of Margarete Kühn at the German Academy in East Berlin and an American woman, Caroline Walsh, in Berlin as a military spouse.\",\"PeriodicalId\":41539,\"journal\":{\"name\":\"Plainsong & Medieval Music\",\"volume\":\"27 1\",\"pages\":\"143 - 170\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2018-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1017/S0961137118000098\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Plainsong & Medieval Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0961137118000098\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Plainsong & Medieval Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0961137118000098","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
History of a book: Hildegard of Bingen's ‘Riesencodex’ and World War II
ABSTRACT Only two large collections of Hildegard of Bingen's music are extant, today housed in the Katholieke Universiteit in Leuven (B-LVu, no shelf number) and in the Hochschul-und Landesbibliothek RheinMain in Wiesbaden (D-WI1 2, the so-called ‘Riesencodex’). The Riesencodex, though, was almost lost during World War II. It survived both bombing and plundering in Dresden in February 1945, only to be appropriated by the Soviet Administration in 1947. Using archival records from the Hessisches Hauptstaatsarchiv in Wiesbaden from the 1940s and 1950s, I detail the efforts of a number of people to retrieve the manuscript after the war and bring it back to Wiesbaden. Franz Götting, the director of the Wiesbaden library, spent several years trying to recover the manuscript through official channels. Its eventual return to Wiesbaden in 1948, however, came about surreptitiously, largely through the efforts of Margarete Kühn at the German Academy in East Berlin and an American woman, Caroline Walsh, in Berlin as a military spouse.
期刊介绍:
Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.