一种可见形式的迷恋的暴力（论烈士、残忍、恐怖、伦理）[*on and vs.with vs.as]

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2020-08-12 DOI:10.1353/pmc.2020.0006

E. Brinkema

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引用次数: 1

摘要

摘要：本文认为，Pascal Laugier 2008年的新极端主义恐怖电影《殉道者》产生了一种形式上的暴力，与构成它的美学魅力共同延伸，对暴力的描述富有表现力和创造性。这篇文章推翻了理论上的假设，即恐怖是一种由迷恋和厌恶组成的混合情绪，或者恐怖是对暴力的迷恋，将烈士定位为另一种哲学谱系的一部分，认为对形式本身的迷恋构成了一种暴力模式。《烈士》电影展示了对形式可能性的迷恋所带来的非个人的、非具体化的暴力，这是恐怖和形而上学所共有的。

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The Violence of a Fascination with* a Visible Form (on Martyrs, Cruelty, Horror, Ethics) [*on and vs. with vs. as]

Abstract:This essay argues that Pascal Laugier's 2008 new-extremist horror film Martyrs generates a formal violence coextensive with the aesthetic fascinations that structure it, rendering an account of violence that is monstrative and creative. Reversing theoretical presumptions that horror is a mixed sentiment comprised of fascination and disgust, or that horror names a fascination with violence, the essay positions Martyrs as part of an alternative philosophical lineage that posits a fascination with form itself constitutes a mode of violence. Martyrs cinematically demonstrates the impersonal, non-embodied violence of a fascination with formal possibility, one shared by horror and metaphysics.

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.