披头士在西班牙:垮掉的音乐和ye - ysams对20世纪60年代佛朗哥将军政权(微妙的)音乐、文化和政治开放的贡献

IF 0.3 Q4 CULTURAL STUDIES
José Ruiz Mas
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引用次数: 0

摘要

从20世纪50年代末到整个60年代,美国扭扭摇滚和英国节奏音乐的影响,欧洲歌唱大赛,国家唱片工业的长足发展,广播电台的数量和(仍然胆怯的)全国电视的普及,在西班牙年轻人中兴起了ye- y时尚。这伴随着对传统保守/天主教现状和上一代传统习俗的温和反叛和批判精神的发展。的确,从1964年到1965年,几十个类似披头士的乐队模仿披头士的节奏、语言、形象、姿势、时尚和歌词。1965年,披头士乐队在马德里和巴塞罗那的两场现场演出使他们在佛朗哥统治下的西班牙更受欢迎。英语成为现代、国际旅游和新音乐流派的通用语。在这种亲英的背景下,披头士狂热对西班牙十年的社会和政治格局产生了相对温和的影响,并为该国在20世纪70年代末的民主化铺平了道路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Beatles in Spain: The Contribution of Beat Music and Ye-yés to the (Subtle) Musical, Cultural and Political Openness of General Franco’s Regime in the 1960s
From the late 1950s and throughout the 1960s, the impact of American twist and rock’n’roll and British beat music, the Eurovision Song Contest, the considerable growth of the national record industry, the number of radio stations and the (still timid) deployment of nationwide TV gave rise in Spain to the development of the ye-yé fashion amongst the young Spanish population. This was accompanied by the development of a mild feeling of rebellion and critical spirit against the traditional conservative/Catholic status quo and the conventional mores of the previous generation. Indeed, from 1964-65 onwards dozens of Beatle-like bands imitated the Beatles’ rhythms, language, image, poses, fashion and song lyrics. The two live performances of the Beatles in Madrid and Barcelona in 1965 disseminated their popularity even further in Franco’s Spain. English became the lingua franca of modernity, of international tourism and of the new musical genres. In this Anglophile context, Beatlemania was to exert a relatively gentle influence on the social and political Spanish scenario of the decade and contributed to preparing the path to the country’s democratization in the late 1970s.
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来源期刊
Revista Alicantina de Estudios Ingleses
Revista Alicantina de Estudios Ingleses Arts and Humanities-Literature and Literary Theory
CiteScore
0.70
自引率
0.00%
发文量
14
审稿时长
28 weeks
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