文化公平的网络化基础设施?地方艺术机构使命中的社会认同

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
R. Skaggs
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引用次数: 5

摘要

越来越多的人关注艺术中的文化公平,关注艺术解决社会不平等的力量。许多人还认识到,艺术组织必须在其组织实践中关注这些问题,以促进公平和破坏历史权力结构。地方艺术机构(LAAs)作为联邦和地方资金的主要转移者的结构地位使它们成为调查该部门文化公平方法的关键场所。本研究的问题是:对文化公平的个人社会认同维度的关注是如何在LAAs的使命宣言中形成的?在分析的55个laa中,26个有一个使命声明,其中包括关注文化平等,其中17个列出了他们参加的特定社会身份群体。在经验上,本文提出了社会身份的网络可视化和表格共现,目的是理解LAAs任务中的社会身份聚类。本研究有助于理解LAAs如何在其组织的使命中考虑身份特定的公平维度,这些优先事项模式的趋势,并确定美国LAAs在机构优先事项中文化公平的结构基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Networked Infrastructure of Cultural Equity? Social Identities in the Missions of Local Arts Agencies
Abstract Increasing attention to cultural equity in the arts focuses on the power of the arts to address social inequity. Many also recognize that arts organizations must attend to these issues in their organizational practices in order to promote equity and disrupt historic power structures. Local Arts Agencies’ (LAAs) structural position as key regranters of federal and local funds makes them a key site of inquiry into the sector’s approach to cultural equity. This research asks: How is attention to individual social identity dimensions of cultural equity patterned in mission statements of LAAs? Of the 55 LAAs analyzed, 26 have a mission statement that includes attention to cultural equity, and of these, 17 list specific social identity groups to which they attend. Empirically, the article presents network visualizations and tabled co-occurrences of social identities toward the goal of understanding the clustering of social identity in the missions of LAAs. This study contributes to understanding how LAAs are considering identity-specific dimensions of equity in the missions of their organizations, trends in the patterning of these priorities, and identify the structural underpinnings of cultural equity in institutional priorities among LAAs in the United States.
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来源期刊
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.50
自引率
0.00%
发文量
33
期刊介绍: How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.
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