《李尔王与探知的艺术》

Q3 Arts and Humanities

Renaissance Drama Pub Date : 2018-09-01 DOI:10.1086/699622

Laurence J W Publicover

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引用次数: 1

摘要

《李尔王》三场暴风雨中的第二场开场时，肯特化装成凯斯，一再敦促国王进入舞台外的一间小屋。在回绝了肯特的前三次请求后，李尔王对第四次请求做出了回应，先是拒绝，然后勉强转入同意，然后转向愚人，最后以一个撇号(以祈祷的形式出现)结尾。下面是1623年的开本:

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King Lear and the Art of Fathoming

he second of King Lear ’s three great storm scenes opens with Kent, disguised as Caius, repeatedly urging the king to enter a hovel located offt stage. After batting away Kent’s first three pleas, Lear responds to the fourth with a speech that begins in refusal, moves grudgingly into assent, turns sideways toward the Fool, and concludes as an apostrophe (introduced as a prayer) on the impoverished. Here it is as printed in the 1623 Folio:

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来源期刊

Renaissance Drama Arts and Humanities-Literature and Literary Theory

CiteScore

0.30

自引率

0.00%

发文量