威廉·格莱斯顿:《收藏家与收藏:自由主义的对象、网络与符号》

Q2 Arts and Humanities

Visual Culture in Britain Pub Date : 2019-01-02 DOI:10.1080/14714787.2019.1573645

Barbara Pezzini

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引用次数: 1

摘要

维多利亚时代政治家、四次担任首相的威廉·埃瓦尔特·格莱斯顿（1809-98）是一位活跃的私人和公共收藏家，但他的形象也是收藏的对象。本文将格莱斯顿作为收集的主体和对象进行了探索，检验了布鲁诺·拉图尔的行动者网络理论，以探索人与对象之间的推拉，对象形式中的人，以及这种互动产生的历史和社会网络。约翰·埃弗雷特·米莱1879年的格莱斯顿肖像（伦敦国家肖像画廊）及其印刷品被用作此类网络的独特案例研究。

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William Gladstone, Collector and Collectable: Objects, Networks and Symbols of Liberalism

Victorian politician and four-times Prime Minister, William Ewart Gladstone (1809–98) was active as a private and public collector, but his image was also the object of collecting. This article explores Gladstone as both subject and object of collecting, testing Bruno Latour’s Actor-network theory to explore the push and pull between the person and the objects, the person in object form, and the historical and social networks that this interaction generated. John Everett Millais’s 1879 portrait of Gladstone (National Portrait Gallery, London) and its reproductions in print are used as a distinctive case study of one such network.

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来源期刊

Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量