当代表演中的强迫世俗化与后现代话语:武器化多元文化修辞以认可舞蹈从业者之间的不对称

IF 0.1 3区艺术学 0 DANCE

DANCE CHRONICLE Pub Date : 2022-01-02 DOI:10.1080/01472526.2022.2025738

Jorge Poveda Yánez, Beatriz Herrera Corado, M. Mendizábal

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引用次数: 0

摘要

摘要:在当代艺术节的多元文化和后现代修辞背景下，我们研究了匈牙利编舞家埃斯特·萨拉蒙(Eszter Salamon)借鉴马普切人的实践——kawell tayil和choike purrún-in，她的作品《纪念碑0.6:登陆(移情仪式)》(2017)。我们分析了这种借用的话语和体现维度及其对土著社区的有害后果。我们展示了世俗艺术机构的后现代价值观和保护土著仪式表达的法律限制如何促成这些动态。采用乐观的立场，我们概述了策展实践的标准，可以防止进一步滥用本土文化。

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Forced Secularization and Postmodern Discourses within Contemporary Performance: Weaponizing Multicultural Rhetoric to Ratify Asymmetries among Dance Practitioners

Abstract In the context of the multicultural and postmodern rhetoric of contemporary art festivals, we examine a case study in which the Hungarian choreographer Eszter Salamon appropriates Mapuche practices—the kawell tayil and the choike purrún—in her piece Monument 0.6: Landing (A Ritual of Empathy) (2017). We analyze the discursive and embodied dimensions of this borrowing and its harmful consequences for indigenous communities. We show how the postmodern values of secular art institutions and the legal limitations to protect indigenous ritual expressions contribute to these dynamics. Adopting an optimistic stance, we outline criteria for curatorial practices that could prevent further misuses of indigenous culture.

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来源期刊

DANCE CHRONICLE DANCE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.