前大师授予平面艺术家的保护

Q2 Arts and Humanities
Olivia Rybak-Karkosz
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引用次数: 0

摘要

旧大师时期的版画艺术家权利本文旨在对现代版权保护出现之前的版画艺术家的权利提出一个历史性的观点。以前,特权是法律保护的主要形式。本文介绍了保护的目的和程序等事项,以及有权获得和释放这种保护的主体及其程度。它涉及16世纪至18世纪老大师时期欧洲主要从事版画创作的国家。文章的最后一节重点讨论了英国议会的《1734年雕刻版权法》,该法案被认为是现代版权的原型,并适用于历史背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ochrona przysługująca twórcom grafiki artystycznej u mistrzów dawnych
Artists’ rights in printmaking during the Old Masters period The aim of this paper is to present a historic view on artists’ rights in printmaking before the advent of modern copyright protections. Previously, privilege was the main form of legal protection. In this paper, matters such as the aim and procedure of protection are described as well as the subjects entitled to receive and release this protection and its extent. It concerns the main countries in Europe specializing in printmaking during the Old Masters’ period of activity, which was between the 16th and 18th centuries. The last section of the article focuses on The Engraving Copyright Act 1734, an Act of the Parliament of Great Britain which is stated to be a prototype of modern copyright and its applicability to the historical context.
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来源期刊
Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
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