维森蒂诺与帕莱斯特里纳：声音在不断变化的声音密度中的计算研究

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-01-01 DOI:10.1080/09298215.2021.1877729

Claire Arthur

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引用次数: 1

摘要

本文详细介绍了一项语料库研究，该研究考察了文艺复兴时期的声音引导实践。帕莱斯特里纳的质量被搜索到与维森蒂诺（1555）的对位“规则”相匹配的级数。维森蒂诺的论文根据声音纹理的最小大小提供了对位规则的准系统组织，这些规则应该设置在其中。Palestrina对这些进步的实现说明了所使用的人声纹理的确切大小，从而能够直接比较理论和实践。该分析揭示了一种普遍的一致性，但表明维森蒂诺的分类法过于严格。研究结果是在揭示指导性理论和感性原则的背景下进行的。

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Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities

This paper details a corpus study examining Renaissance voice-leading practices. Palestrina’s masses are searched for progressions matching contrapuntal ‘rules’ taken from Vicentino (1555). Vicentino’s treatise provides a quasi-systematic organization of contrapuntal rules according to the minimum size of the vocal texture in which they ought to be set. Palestrina’s realizations of these progressions illustrate the exact size of vocal texture employed, enabling a direct comparison of theory and practice. The analysis reveals a general agreement, but suggests that Vicentino’s taxonomy is too strict. The results are examined in the context of uncovering guiding theoretical and perceptual principles.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.