自传体小说中的对话阅读空间:蕾切尔·库斯克的作品

IF 0.3 3区 文学 0 LITERATURE
Tijana Przulj
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引用次数: 0

摘要

本文探讨了库斯克自传体小说的对话方面,并讨论了对话对于描述自传体小说文本、作者和读者之间关系的相关性。在《Kudos》中,这种对话方面被实现为对话阅读空间(哄骗空间),在这个空间中,读者被邀请并允许参与到基于作者个人真相的叙事的复调结构中。因此,读者的视角被引入一种细致入微的方法,以了解文本中的主题,同时也关注写作过程本身,包括其商业和人文纠葛。对话式的阅读空间使作者能够从自传的压力中解脱出来,同时使读者认识到自传体小说的开放不确定性是思想的源泉,而不是类型问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dialogic Reading Spaces in Autofiction: Rachel Cusk’s Kudos
ABSTRACT This article explores the conversational aspect of Cusk’s autofiction and discusses its relevance for describing the relationship between an autofictional text, its author and its reader. In Kudos, this conversational aspect is actualised as dialogic reading space (coaxing space), in which the reader is invited to, and permitted to, take part in the polyphonic construction of the narrative based on the author’s personal truths. The reader’s perspective is thus introduced into a nuanced approach to the themes in the text, but also towards the writing process itself, including its commercial and human entanglements. The dialogic reading space allows the author to disentangle herself from any autobiographical pressures while enabling the reader to recognise the open indeterminacy of autofiction as a wellspring of ideas rather than a genre issue.
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来源期刊
Life Writing
Life Writing LITERATURE-
CiteScore
0.80
自引率
25.00%
发文量
38
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