{"title":"慢下来和静止:园艺和释放","authors":"P. Hudson","doi":"10.1386/jdsp_00006_1","DOIUrl":null,"url":null,"abstract":"Abstract This article will share the early stages of a research project about gardening and dance/embodiment, one that examines ideas of practice, activities and art. It is fragile, and a disclosing of a process in a way that we do not normally share: so often our writing\n is after a project or piece of research or art is completed. I am curious about the gentleness and vulnerability of revealing the first phase of something, of asking questions that are ongoing and not yet answered. I am also aware of an expanding of focus in my own life and work from dance\n to gardening, with all of the in-betweenness, processes and connections of that.","PeriodicalId":41455,"journal":{"name":"Journal of Dance & Somatic Practices","volume":"11 1","pages":"209-226"},"PeriodicalIF":0.2000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Slowing and Stilling: Gardening and Releasing\",\"authors\":\"P. Hudson\",\"doi\":\"10.1386/jdsp_00006_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article will share the early stages of a research project about gardening and dance/embodiment, one that examines ideas of practice, activities and art. It is fragile, and a disclosing of a process in a way that we do not normally share: so often our writing\\n is after a project or piece of research or art is completed. I am curious about the gentleness and vulnerability of revealing the first phase of something, of asking questions that are ongoing and not yet answered. I am also aware of an expanding of focus in my own life and work from dance\\n to gardening, with all of the in-betweenness, processes and connections of that.\",\"PeriodicalId\":41455,\"journal\":{\"name\":\"Journal of Dance & Somatic Practices\",\"volume\":\"11 1\",\"pages\":\"209-226\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Dance & Somatic Practices\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jdsp_00006_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Dance & Somatic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jdsp_00006_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
Abstract This article will share the early stages of a research project about gardening and dance/embodiment, one that examines ideas of practice, activities and art. It is fragile, and a disclosing of a process in a way that we do not normally share: so often our writing
is after a project or piece of research or art is completed. I am curious about the gentleness and vulnerability of revealing the first phase of something, of asking questions that are ongoing and not yet answered. I am also aware of an expanding of focus in my own life and work from dance
to gardening, with all of the in-betweenness, processes and connections of that.
期刊介绍:
The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.