德里达和防腐艺术:《提托诺斯》和《浴缸的故事》中的死亡

Jayjit Sarkar, Jagannath Basu
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引用次数: 0

摘要

本文以雅克·德里达的《格拉斯》为线索,试图理解艺术中的thanatoraxie或防腐思想。它将thanatorasie视为一种策略,以对抗“书”作为“真理”和“神圣”的储存库的流行观念。它认为,一件艺术作品只有通过转化为作品的“永恒的”——一个作品——才能存在于世界上。因此,Thanatopraxie将一部作品从超越和神圣的领域带到了平庸的存在世界。为了理解这些策略,本文将《提图斯》和《塔布的故事》视为文本,在这些文本中,“可穿透的开口”被故意打开,以将作品转化为作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Derrida and the Art of Embalming: Thanatopraxie in “Tithonus” and A Tale of a Tub
Taking a cue from Jacques Derrida’s Glas, this paper seeks to understand the idea of thanatopraxie or embalming in art. It sees thanatopraxie as a strategy to (en)counter the prevalent idea of a “book” as the repository of the “truth” and the “divine.” It argues that a work of art can only exist in the world by transforming into “what(ever) remains” of a work— a wo—. Thanatopraxie thus, brings down a work from the realm of the transcendental and the divine to the world of banal existence. And, in order to comprehend these maneuverings, this paper looks into “Tithonus” and A Tale of a Tub as texts where the “penetrable openings” are purposely kept open for the transformation of a work (in) to a wo—.
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