特立尼达和多巴哥东印度和非洲音乐传统的探索:以Mungal Patasar和Pantar为例

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2022-08-08 DOI:10.1080/03007766.2022.2123509

Jill-Ann Walters-Morris, Clarence Morris, Rachel-Ann Charles-Hatt

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引用次数: 0

摘要

在本文中，我们以Mungal Patasar和他的乐队Pantar为例，探讨特立尼达和多巴哥爵士与当地音乐传统之间的融合。我们将讨论从东印度和非洲音乐传统之间的相互作用中出现的细微差别，因为我们描绘了在这种背景下演奏爵士乐的方式。本研究的总体结果表明，在Patasar的作品中，特立尼达和多巴哥通过种族重新表达了民族认同的视角，而不是从纯粹主义的角度，而是在非洲和印度民族认同的基础上保持不变。

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An Exploration of the East Indian and African Music Traditions in Trinidad and Tobago: The Case of Mungal Patasar and Pantar

ABSTRACT In this article, we present a case study of Mungal Patasar and his band, Pantar to explore syncretism between jazz and local music traditions in Trinidad and Tobago. We discuss the nuances emerging from the interactions between East Indian and African music traditions as we delineate the ways jazz diaspora is performed within this context. The overall findings of this study demonstrate that a perspective of Trinidad and Tobago’s national identity through ethnicity is re-articulated in Patasar’s work, not from a purist approach, but where the foundations of African and Indian ethnic identities remain intact.

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.