抛光的记忆,流动的历史:对伊斯坦布尔斯维蒂·斯特凡·丘奇的沉思

Q3 Arts and Humanities
Jeremy F. Walton
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引用次数: 1

摘要

摘要:在伊斯坦布尔Fener-Balat街区的堤岸上,一座引人注目的建筑隐约出现在金角湾的水面上:Sveti Stefan教堂,一座铸铁的礼拜场所,是奥斯曼伊斯坦布尔保加利亚东正教社区最引人注目的遗产。在教堂入口附近的访客隔间里,人们可能会受到热烈的欢迎,与教堂庄严的建筑氛围形成鲜明对比。自2018年完成翻新以来,所谓的铁教堂向游客开放,作为一个庆祝奥斯曼帝国过去多元文化形象的场所。在这篇文章中,我对Sveti Stefan及其社区错综复杂的历史进行了思考,以动摇今天在教会中安息的净化过的集体记忆和宗教间宽容的话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Polished Memories, Liquid Histories: A Meditation on Istanbul's Sveti Stefan Church
ABSTRACT:On an embankment in the Istanbul neighborhood Fener-Balat, a striking edifice looms over the waters of the Golden Horn: Sveti Stefan Church, a cast-iron house of worship that constitutes the most visible legacy of Ottoman Istanbul's Bulgarian Orthodox community. The warm welcome that one is likely to receive at the visitor's cubicle near the entrance to the church contrasts sharply with its solemn architectural atmosphere. Since the completion of renovations in 2018, the so-called Iron Church is open to visitors as a site that celebrates a multicultural image of the Ottoman past. In this essay, I meditate on the convoluted history of Sveti Stefan and its community in order to unsettle the sanitized collective memory and discourse of interreligious tolerance that has come to rest in the church today.
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