脆弱是一种酷儿艺术

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
M. Pevere
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引用次数: 0

摘要

“脆弱性艺术”(AoV)的理念重新利用了本质上开放(从不封闭)的事实,并成为一种工具来应对这种缺乏封闭的情况。它是艺术,因为它来自艺术实践,它是脆弱的,因为它来源于脆弱和难以控制的材料。这一想法植根于被理解为艺术研究的生物艺术实践,并通过对化身和生态学的女权主义和酷儿研究进行解读。这篇文章追溯了艺术作品系列《女人》是如何促进这一理念的发展的。AoV是一种理解艺术实践的方式,但它成为了一种关注(和致敬)人类伦理和美学的伦理和智力工具。因此,它可能有助于对当今激增的生态复杂性进行批判性讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vulnerability as a queer art
The idea of ‘arts of vulnerability’ (AoV) reclaims the fact of being inherently open (never sealed) and becomes a tool to navigate such a lack of closure. It is art because it comes from art practice, and it is of vulnerability because it comes from materials that are vulnerable and defy control. The idea is rooted in bioart practice understood as artistic research and read through feminist and queer studies about embodiment and ecology. This article traces how the artwork series Wombs contributed to the development of the idea. AoV is a way of understanding art practice, yet it becomes an ethical and intellectual tool that pays attention (and tribute) to more-than-human ethics and aesthetics. It may thus contribute to a critical discussion of today’s surging ecological complexity.
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来源期刊
Technoetic Arts
Technoetic Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
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