{"title":"曼彻斯特的跨文化爱欲Cāndāyana","authors":"M. Aitken, Allison Busch","doi":"10.1215/1089201x-9987749","DOIUrl":null,"url":null,"abstract":"Abstract:This essay explores a single illustrated manuscript of Maulana Daud’s Sufi narrative the Cāndāyana from the Rylands Library, Manchester, to help make sense of how Sufi poets and the sultanate- period painters who illustrated their verses realized the indigenous aesthetics of eros and the nāyikā.","PeriodicalId":51756,"journal":{"name":"Comparative Studies of South Asia Africa and the Middle East","volume":"42 1","pages":"293 - 308"},"PeriodicalIF":0.8000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Transcultural Eros of the Manchester Cāndāyana\",\"authors\":\"M. Aitken, Allison Busch\",\"doi\":\"10.1215/1089201x-9987749\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay explores a single illustrated manuscript of Maulana Daud’s Sufi narrative the Cāndāyana from the Rylands Library, Manchester, to help make sense of how Sufi poets and the sultanate- period painters who illustrated their verses realized the indigenous aesthetics of eros and the nāyikā.\",\"PeriodicalId\":51756,\"journal\":{\"name\":\"Comparative Studies of South Asia Africa and the Middle East\",\"volume\":\"42 1\",\"pages\":\"293 - 308\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2022-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comparative Studies of South Asia Africa and the Middle East\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/1089201x-9987749\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative Studies of South Asia Africa and the Middle East","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/1089201x-9987749","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
The Transcultural Eros of the Manchester Cāndāyana
Abstract:This essay explores a single illustrated manuscript of Maulana Daud’s Sufi narrative the Cāndāyana from the Rylands Library, Manchester, to help make sense of how Sufi poets and the sultanate- period painters who illustrated their verses realized the indigenous aesthetics of eros and the nāyikā.