加布里埃尔•罗伊《走过阿尔塔蒙特的路》中的个人身份言语表征

Q2 Arts and Humanities
S. Kuzikova, A. Vertel, V. Zlyvkov, S. Lukomska
{"title":"加布里埃尔•罗伊《走过阿尔塔蒙特的路》中的个人身份言语表征","authors":"S. Kuzikova, A. Vertel, V. Zlyvkov, S. Lukomska","doi":"10.29038/eejpl.2021.8.2.kuz","DOIUrl":null,"url":null,"abstract":"The present paper explores personal identity linguistic indicators detected in The Road Past Altamont by Gabrielle Roy. Works by this Canadian writer, public personality, and significant figure in French Canadian literature are of interest to a broad audience today in Canada, where almost all her books have been translated into English, and abroad. Written in a fluid, spare style, they are distinguished by lively narration and a keen sense of observation. Her literature approaches the world and people with clear sight and compassion. The Road Past Altamont (1966) by Roy is one of the most original in Canada, as varied as it is cohesive. The novel is dedicated to the coverage of the autobiographical narrative, the peculiarities of the personal identity crisis for different age groups, the succession of generations. These existential problems are actualized in crisis life situations. Despite containing four independent texts, the Road Past Altamont, each of which tells a finished story, is not a collection of short stories but a novel-saga. Its genre is both fragmented and unified, and it has a flexible structure based on the concept of the human life course. The four stories in this novel are connected not only by the main character at different points in her life but also by the themes that explore the changes, ageing, and society’s relation to the elders. The study aims to single out verbal indicators of personal identity obtained from the second part, “The old man and the child” of the Roy’s novel and the music album of the same name, created on its basis in 2021. Among the main findings are the defining psycholinguistic markers of time and space in the discourse of “The old man and the child” that encompass personal identity cognitive component. Hence, it is possible to treat the transformation of identity in the modern world in terms of constructing “self” as a reflexive project - implementing an integral, biographical story being changed in a polyvariant context of choice.","PeriodicalId":36553,"journal":{"name":"East European Journal of Psycholinguistics","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Verbal Indicators of Personal Identity in The Road Past Altamont by Gabrielle Roy\",\"authors\":\"S. Kuzikova, A. Vertel, V. Zlyvkov, S. Lukomska\",\"doi\":\"10.29038/eejpl.2021.8.2.kuz\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present paper explores personal identity linguistic indicators detected in The Road Past Altamont by Gabrielle Roy. Works by this Canadian writer, public personality, and significant figure in French Canadian literature are of interest to a broad audience today in Canada, where almost all her books have been translated into English, and abroad. Written in a fluid, spare style, they are distinguished by lively narration and a keen sense of observation. Her literature approaches the world and people with clear sight and compassion. The Road Past Altamont (1966) by Roy is one of the most original in Canada, as varied as it is cohesive. The novel is dedicated to the coverage of the autobiographical narrative, the peculiarities of the personal identity crisis for different age groups, the succession of generations. These existential problems are actualized in crisis life situations. Despite containing four independent texts, the Road Past Altamont, each of which tells a finished story, is not a collection of short stories but a novel-saga. Its genre is both fragmented and unified, and it has a flexible structure based on the concept of the human life course. The four stories in this novel are connected not only by the main character at different points in her life but also by the themes that explore the changes, ageing, and society’s relation to the elders. The study aims to single out verbal indicators of personal identity obtained from the second part, “The old man and the child” of the Roy’s novel and the music album of the same name, created on its basis in 2021. Among the main findings are the defining psycholinguistic markers of time and space in the discourse of “The old man and the child” that encompass personal identity cognitive component. Hence, it is possible to treat the transformation of identity in the modern world in terms of constructing “self” as a reflexive project - implementing an integral, biographical story being changed in a polyvariant context of choice.\",\"PeriodicalId\":36553,\"journal\":{\"name\":\"East European Journal of Psycholinguistics\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"East European Journal of Psycholinguistics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29038/eejpl.2021.8.2.kuz\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"East European Journal of Psycholinguistics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29038/eejpl.2021.8.2.kuz","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

本文探讨了加布里埃尔•罗伊在《走过阿尔塔蒙特的路》中发现的个人身份语言指标。这位加拿大作家、公众人物和法裔加拿大文学中的重要人物的作品今天在加拿大引起了广大观众的兴趣,她的几乎所有书籍都被翻译成了英语。它们以流畅、简洁的风格写成,以生动的叙述和敏锐的观察力而著称。她的文学作品以清晰的眼光和同情心来看待世界和人民。罗伊的《走过阿尔塔蒙特的路》(1966年)是加拿大最具原创性的作品之一,它既丰富多彩又富有凝聚力。这部小说致力于报道自传体叙事、不同年龄段的个人身份危机的特殊性、代际继承。这些生存问题是在危机生活的情况下实现的。尽管包含四个独立的文本,但《走过阿尔塔蒙特之路》并不是短篇小说集,而是一部中篇小说。它的体裁是碎片化的,又是统一的,它有一个基于人类生命历程概念的灵活结构。这部小说中的四个故事不仅通过主人公生活中不同时期的故事联系在一起,还通过探索变化、老龄化以及社会与长辈关系的主题联系在一起。这项研究旨在找出罗伊小说的第二部分“老人和孩子”以及2021年在此基础上创作的同名音乐专辑中获得的个人身份的言语指标。主要发现之一是在《老人与孩子》的话语中定义了包含个人身份认知成分的时间和空间心理语言学标记。因此,有可能将现代世界身份的转变视为一个反射性项目,即构建“自我”——在多元选择的背景下实现一个完整的、传记式的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Verbal Indicators of Personal Identity in The Road Past Altamont by Gabrielle Roy
The present paper explores personal identity linguistic indicators detected in The Road Past Altamont by Gabrielle Roy. Works by this Canadian writer, public personality, and significant figure in French Canadian literature are of interest to a broad audience today in Canada, where almost all her books have been translated into English, and abroad. Written in a fluid, spare style, they are distinguished by lively narration and a keen sense of observation. Her literature approaches the world and people with clear sight and compassion. The Road Past Altamont (1966) by Roy is one of the most original in Canada, as varied as it is cohesive. The novel is dedicated to the coverage of the autobiographical narrative, the peculiarities of the personal identity crisis for different age groups, the succession of generations. These existential problems are actualized in crisis life situations. Despite containing four independent texts, the Road Past Altamont, each of which tells a finished story, is not a collection of short stories but a novel-saga. Its genre is both fragmented and unified, and it has a flexible structure based on the concept of the human life course. The four stories in this novel are connected not only by the main character at different points in her life but also by the themes that explore the changes, ageing, and society’s relation to the elders. The study aims to single out verbal indicators of personal identity obtained from the second part, “The old man and the child” of the Roy’s novel and the music album of the same name, created on its basis in 2021. Among the main findings are the defining psycholinguistic markers of time and space in the discourse of “The old man and the child” that encompass personal identity cognitive component. Hence, it is possible to treat the transformation of identity in the modern world in terms of constructing “self” as a reflexive project - implementing an integral, biographical story being changed in a polyvariant context of choice.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
East European Journal of Psycholinguistics
East European Journal of Psycholinguistics Arts and Humanities-Language and Linguistics
CiteScore
0.90
自引率
0.00%
发文量
20
审稿时长
15 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信