A. Sepahvand, M. Slater, Annette F. Timm, Jeanne Vaccaro, H. Bauer, Katie Sutton
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引用次数: 0
摘要
在这个圆桌会议上,四位展示性档案和历史的策展人——特别关注酷儿和跨性别者的经历——被要求反思他们作为学者和艺术家在一系列博物馆和画廊中工作的经历。下面提到的展览是:带来你自己的身体:档案与美学之间的跨性别者,由珍妮·瓦卡罗(讨论嘉宾)和斯塔玛蒂娜·格雷戈里策划,分别于2015年在纽约库珀联盟博物馆和2016年在宾夕法尼亚州哈弗福德学院;Odarodle: a imaginary their_story of naturepeoples, 1535-2017,由Ashkan Sepahvand(讨论嘉宾)策划,2017年德国柏林Schwules博物馆(同性恋博物馆);《酷儿》,由Ted Gott、Angela Hesson、Myles Russell-Cook、Meg Slater(讨论嘉宾)和Pip Wallis策划,澳大利亚墨尔本维多利亚国家美术馆,2022年;以及由Alex Bakker、Rainer Herrn、Michael Thomas Taylor和Annette F. Timm(讨论嘉宾)于2019 - 2020年在德国柏林Schwules博物馆策划的《跨大西洋:跨大西洋变性人的历史》(TransTrans: Transatlantic Transgender Histories),改编自2016年在加拿大卡尔加里大学举办的展览。
In this roundtable, four curators of exhibitions showcasing sexual archives and histories—with a particular focus on queer and trans experiences—were asked to reflect on their experiences working as scholars and artists across a range of museum and gallery formats. The exhibitions referred to below were Bring Your Own Body: Transgender between Archives and Aesthetics, curated by Jeanne Vaccaro (discussant) with Stamatina Gregory at The Cooper Union, New York, in 2015 and Haverford College, Pennsylvania, in 2016; Odarodle: An imaginary their_story of naturepeoples, 1535–2017, curated by Ashkan Sepahvand (discussant) at the Schwules Museum (Gay Museum) in Berlin, Germany, in 2017; Queer, curated by Ted Gott, Angela Hesson, Myles Russell-Cook, Meg Slater (discussant), and Pip Wallis at the National Gallery of Victoria, Melbourne, Australia, in 2022; and TransTrans: Transatlantic Transgender Histories, curated by Alex Bakker, Rainer Herrn, Michael Thomas Taylor, and Annette F. Timm (discussant) at the Schwules Museum in Berlin, Germany, in 2019–20, adapting an earlier exhibition shown at the University of Calgary, Canada, in 2016.
期刊介绍:
Individual subscribers and institutions with electronic access can view issues of Radical History Review online. If you have not signed up, review the first-time access instructions. For more than a quarter of a century, Radical History Review has stood at the point where rigorous historical scholarship and active political engagement converge. The journal is edited by a collective of historians—men and women with diverse backgrounds, research interests, and professional perspectives. Articles in RHR address issues of gender, race, sexuality, imperialism, and class, stretching the boundaries of historical analysis to explore Western and non-Western histories.