透过乌尔都语的镜头

IF 0.4 0 LITERATURE
Zain R. Mian
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引用次数: 0

摘要

本文考察了文学世界(Adabīdunyā),以论证世界文学与乌尔都语杂志之间的辩证关系。Adabīdunyā在竞争激烈的印度杂志生态中为自己开辟了一个利基市场,在内容和材料形式上将自己定位为一本世界级的杂志。该出版物如何传播世界文学,受到了“ilmīo Adabī”杂志流派(大致可翻译为“教育和文学”)的教育动力的启发。Adabīdunyā通过一系列形式来介导读者对世界作家的欣赏,如调查文章、图像和受这些作者启发的乌尔都语原文。通过关注丹蒂·阿利吉耶里的表现,我展示了该杂志如何寻求培养印度读者和外国作家之间的多维关系。在这样做的过程中,阿达布·杜尼产生了以乌尔都文化为中心的世界文学的本土迭代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Through the Lens of Urdu
This essay examines Adabī dunyā, or Literary World, to argue for a dialectical relationship between world literature and the Urdu magazine. Adabī dunyā carved a niche for itself in a competitive Indian magazine ecology by positioning itself as a worldly and world-class magazine in terms of its content and material form. How this publication circulated world literature was inspired by the educational impetus of the ‘ilmī o adabī magazine genre (roughly translatable as “educational and literary”). Adabī dunyā mediated readers’ appreciation of world authors by relying on a range of forms such as the survey essay, image, and original Urdu texts inspired by those authors. By focusing on its representation of Dante Alighieri, I show how the magazine sought to nurture a multidimensional relationship between Indian readers and foreign writers. In so doing, Adabī dunyā produced a local iteration of world literature centered on Urdu culture.
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来源期刊
Journal of World Literature
Journal of World Literature Arts and Humanities-Literature and Literary Theory
CiteScore
1.90
自引率
50.00%
发文量
23
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