一切都在Pasaje Esperanza:智利电视剧《Verdades Ocultas》如何成为流媒体肥皂剧

A. Bruna, Lorena Antezana
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引用次数: 0

摘要

2017年7月24日,智利人迷上了《Verdades Ocultas》中威尔杜戈姐妹的长期苦难故事,这是一部以经典情节剧结构概念为基础的智利电视中篇小说(Fuenzalida,Corro&Mujica,2009;卡布鲁哈斯,2002年)。它的成功促使它出人意料地加长,成为智利历史上迄今为止最长的电视中篇小说。然而,叙事的转变导致了戏剧结构及其类型固有的连续性的巨大变化(Buonnano,2005),从电视中篇小说(Mazziotti,2009;Martín Barbero,2002)到肥皂剧(Allen,1995;Harrington,2016),让位于一种非常适合流媒体的产品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
All in Pasaje Esperanza: how Chilean telenovela Verdades Ocultas became a streaming soap opera
On July 24, 2017, Chileans were hooked with the long-suffering story of the Verdugo sisters in Verdades Ocultas, a Chilean telenovela anchored in structural concepts of classic melodrama (Fuenzalida, Corro & Mujica, 2009; Cabrujas, 2002). Its success prompted an unexpected lengthening, becoming the longest telenovela in Chilean history to date. Yet narrative shifts led to ample changes regarding dramatic structure and the seriality inherent to its genre (Buonnano, 2005), fluctuating from a telenovela (Mazziotti, 2009; Martín Barbero, 2002) to a soap opera (Allen, 1995; Harrington, 2016), giving way to a product perfect for streaming.  
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