权力游戏:20世纪60年代以来的商业、资本主义与影视权力

IF 0.1 Q4 POLITICAL SCIENCE
S. Davies
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引用次数: 0

摘要

摘要:鉴于商业作为一种活动和制度是现代世界的核心部分,令人惊讶的是,它很少成为电影或电视剧的核心特征。在过去的六十年里,商业的表现有很多共同的特点,其中最主要的一个是对商业作为一种活动的道德地位以及成功所需的各种个人素质深表怀疑。然而,这应该通过频繁使用Miltonic反英雄的思想来限定。这一时期发生了重大变化,特别是重点从公司转移到个体企业家,以及对某一特定业务(金融)的兴趣日益增长。对商业的积极表述越来越受欢迎,尤其是在印度,但电影和电视制作文化似乎确实存在一些问题,使参与者倾向于对商业的道德地位持怀疑态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Power Game: Business, Capitalism, and Power in Film and Television Since the 1960S
Abstract:Given that business as an activity and institution is a central part of the modern world, it is surprising that it is seldom the central feature of films or television dramas. The representation of business over the last sixty years has a number of common features, the main one being a deep scepticism about the moral standing of business as an activity and of the kinds of personal qualities required for success. However this should be qualified by the frequent use of the idea of the Miltonic anti-hero. There are significant changes over the period, in particular a shift in focus from the firm to the individual entrepreneur and a growing interest in one particular business (finance). Positive representations of business are becoming more popular, particularly in India, but there does appear to be something about the culture of film and television making that predisposes its participants towards a sceptical view of the moral standing of business.
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来源期刊
Tocqueville Review
Tocqueville Review POLITICAL SCIENCE-
CiteScore
0.20
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