黑移民主义：《安娜的罪》中的黑人主体性

IF 0.3 3区文学 0 LITERATURE, AMERICAN

AFRICAN AMERICAN REVIEW Pub Date : 2022-06-01 DOI:10.1353/afa.2022.0018

Shelleen Greene

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引用次数: 0

摘要

摘要：本文探讨了《安娜的罪》（1953），这是一部意大利奥赛罗电影改编版，小说家威廉·邓比（1922-2013）在片中饰演一名外籍爵士萨克斯管演奏家，隐藏着自己的犯罪过去。我认为，这部电影通过其各种天主教反种族主义、反殖民斗争哲学和战后知识左派的怀疑论，展现了跨国黑人主观主义的出现。在《安娜的罪》中，这些不同话语的融合体现在电影的黑色美学中，构成了我所定义的黑色异国主义模式。

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Noir Expatriatism: Black Subjectivities in Anna's Sin

Abstract:This essay examines Anna's Sin (1953), an Italian Othello film adaptation in which novelist William Demby (1922-2013) appears as an expatriate jazz saxophonist hiding from his criminal past. I argue that the film presents the emergence of transnational Black subjectivities through its various strains of Catholic antiracism, philosophies of anticolonial struggle, and the postwar skepticism of the intellectual left. In Anna's Sin, the conflation of these various discourses is played out in the film's noir aesthetics, constituting what I define as a mode of noir expatriatism.

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来源期刊

AFRICAN AMERICAN REVIEW LITERATURE, AMERICAN-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： As the official publication of the Division on Black American Literature and Culture of the Modern Language Association, the quarterly journal African American Review promotes a lively exchange among writers and scholars in the arts, humanities, and social sciences who hold diverse perspectives on African American literature and culture. Between 1967 and 1976, the journal appeared under the title Negro American Literature Forum and for the next fifteen years was titled Black American Literature Forum. In 1992, African American Review changed its name for a third time and expanded its mission to include the study of a broader array of cultural formations.