{"title":"REPRESENTASI EROTISME BARU DALAM KOMIK TAHILALATS TAHUN 2015-2016","authors":"Nur Amala Saputri","doi":"10.36782/JCS.V8I2.1854","DOIUrl":null,"url":null,"abstract":"This study describes symbols and signs containing erotic elements in the Tahilalats comic by Nurfadli Mursyid. The unit of analysis based on two main components in Tahilalats. The two components are Instagram interactive feature which is used as Tahilalats medium, and comic content aspect. Interactive features include comments, and in terms of comic content including basic comic elements: panels, balloons, captions, & illustrations. Data were analyzed by using qualitative analysis method of semiotics Roland Barthes. The results of the study show symbols of new eroticism that symbolize incest, transgender, and masochism in Tahilalats. Refering to the critical paradigm, there are certain ideologies related to the background of Nurfadli as Buginese through the culture of incest, the figure of bissu, and calabai. On the other hand, the use of Instagram as a comic medium has changed the way of presentation and enjoying erotic content in comics. The presence of features in the platform Instagram also makes the netizens play a major role in constructing erotic content in the Tahilalats. To cite this article (7 th APA style): Saputri, N. A. (2018). Representasi Erotisme Baru dalam Komik Tahilalats Tahun 2015-2016 [The Representation of New Eroticism in the Tahilalats Comic 2015-2016]. Journal Communication Spectrum , 8(2), 190-207. http://dx.doi.org/10.36782/jcs.v8i2.1854","PeriodicalId":52783,"journal":{"name":"Journal Communication Spectrum","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal Communication Spectrum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36782/JCS.V8I2.1854","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
本研究描述了Nurfadli Mursyid的漫画《Tahilalats》中包含色情元素的符号和符号。该分析单元基于塔希拉特的两个主要成分。这两个组成部分是作为Tahilalats媒介的Instagram互动功能和漫画内容方面。互动功能包括评论,在漫画内容方面包括基本的漫画元素:面板,气球,字幕和插图。数据分析采用符号学罗兰·巴特的定性分析方法。研究结果显示,在塔希拉拉特,新的色情符号象征着乱伦、变性和受虐。在批判范式中,通过乱伦文化、bissu形象和calabai,存在着与Nurfadli作为商人背景相关的某些意识形态。另一方面,Instagram作为漫画媒介的使用改变了漫画中色情内容的呈现方式和欣赏方式。Instagram平台功能的存在,也使得网民在构建Tahilalats的情色内容中发挥了主要作用。引用这篇文章(第七APA风格):Saputri, n.a.(2018)。代表色情Baru dalam Komik Tahilalats Tahun 2015-2016[新色情在Tahilalats漫画中的表现]。通信频谱,8(2),190-207。http://dx.doi.org/10.36782/jcs.v8i2.1854
REPRESENTASI EROTISME BARU DALAM KOMIK TAHILALATS TAHUN 2015-2016
This study describes symbols and signs containing erotic elements in the Tahilalats comic by Nurfadli Mursyid. The unit of analysis based on two main components in Tahilalats. The two components are Instagram interactive feature which is used as Tahilalats medium, and comic content aspect. Interactive features include comments, and in terms of comic content including basic comic elements: panels, balloons, captions, & illustrations. Data were analyzed by using qualitative analysis method of semiotics Roland Barthes. The results of the study show symbols of new eroticism that symbolize incest, transgender, and masochism in Tahilalats. Refering to the critical paradigm, there are certain ideologies related to the background of Nurfadli as Buginese through the culture of incest, the figure of bissu, and calabai. On the other hand, the use of Instagram as a comic medium has changed the way of presentation and enjoying erotic content in comics. The presence of features in the platform Instagram also makes the netizens play a major role in constructing erotic content in the Tahilalats. To cite this article (7 th APA style): Saputri, N. A. (2018). Representasi Erotisme Baru dalam Komik Tahilalats Tahun 2015-2016 [The Representation of New Eroticism in the Tahilalats Comic 2015-2016]. Journal Communication Spectrum , 8(2), 190-207. http://dx.doi.org/10.36782/jcs.v8i2.1854