在简单背拍模式的鼓组表演中绘制时间和强度策略

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2022-01-01 DOI:10.1080/09298215.2022.2150649

Guilherme Schmidt Câmara, G. Sioros, A. Danielsen

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引用次数: 2

摘要

摘要:我们研究了鼓手如何通过拍击开始和强度特征来表达不同节拍风格(悠闲、顺拍、推进)的“逆拍”模式。基于分层聚类分析和系统发育树，我们发现了三种主要策略:(1)“普遍早/晚”，即相对于格律网格，大多数乐器始终在时间上更早/更晚演奏;(2)“早/晚火焰”，其中至少有一种乐器作为火焰演奏;(3)“模糊的早/晚复合音”，在二重奏中，一种乐器与网格同步演奏，另一种乐器与网格同步演奏。强度策略并没有统一地用于区分悠闲/推动和节拍计时。

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Mapping timing and intensity strategies in drum-kit performance of a simple back-beat pattern

ABSTRACT We explored how drummers express a ‘back-beat’ pattern with different timing styles (laid-back, on-beat, pushed) via stroke onset and intensity features. Based on hierarchical clustering analyses and phylogenetic trees, we found three main strategies: (1) ‘general earliness/lateness’, where most instruments are consistently played earlier/later in time relative to a metrical grid; (2) ‘early/late flam’, where at least one instrument is played as a flam; and (3) ‘ambiguously early/late compound sound’, where in a dyad, one instrument is played synchronously with the grid, and the other early/late. Intensity strategies were not used uniformly to exclusively distinguish between laid-back/pushed and on-beat timing.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.