策展作为一种社会实践:公共空间中的反叙事

IF 0.3 Q2 HISTORY
Torsten Kathke, Juliane Tomann, Mirko Uhlig
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引用次数: 0

摘要

“策展”一词在博物馆之外具有许多含义。虽然它的含义之间存在着明显的差异——包括展览制作的具体行为,以及在博物馆中保存和照料现有藏品的行为——但我们在这里特别强调策展是一种社会过程,它超越了博物馆等制度化的环境,在公共场合选择和协商各种形式的(具体化的)表演。我们认为,当与反叙事的思想相结合时,策展的概念可以阐明社会实践的各个方面,并为分析公共领域的表现和表演提供有用的启发。由于这些实践广泛使用了对过去的想象,这种方法适合将公共历史和人类学的观点结合起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Curation as a Social Practice: Counter-Narratives in Public Space
Abstract The term “curation” has taken on a host of meanings beyond the museum context. While there are marked differences between its meanings – including the specific act of exhibition-making as well as the act of keeping and tending to an existing collection in a museum – we here specifically foreground curation as a social process of selecting and negotiating various forms of (embodied) performances in public, transcending institutionalized contexts such as museums. We argue that, when combined with the idea of counter-narratives, the concept of curation can elucidate aspects of social practices and open up a useful heuristic for the analysis of representations and performances in the public sphere. Since these practices make extensive use of imaginaries of the past, this approach is suitable for combining perspectives from public history and anthropology.
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来源期刊
International Public History
International Public History Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
12
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