两个方向同时进行

IF 0.1 0 MUSIC
Bryan Banker
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引用次数: 0

摘要

在《同时向两个方向》这张失传近40年的专辑中,约翰·科尔特兰以辩证的对立呈现了音乐传统、主题、作曲和即兴创作的组合。这篇文章把Coltrane想象成一个对立的声音哲学家,而这张专辑——以Coltrane的话命名,他试图“从中间开始一个句子,然后同时去到开头和结尾……两个方向同时”——作为他的哲学论文。借用传记作家、音乐学家和爵士评论家的观点,这篇文章认为,在这张专辑中,音乐与自身相结合,而不是寻求解决方案或结局。换句话说,科尔特兰的辩证美学驱动着审美。同时两个方向是声音集中在声音相反的力量。这是一位深刻的思想家试图呈现音乐两极之间的矛盾和对立,这些矛盾和对立可能创造新的潜力。听众听到的是哲学家科尔特兰(Coltrane)努力追求一种多向美学,使音乐从可能性的条件中解脱出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Both Directions at Once
In Both Directions at Once, an album lost for almost 40 years, John Coltrane presents a constellation of musical tradition, themes, composition and improvisation, in dialectical opposition. This article imagines Coltrane as a sonic philosopher of oppositions and the album—named after Coltrane’s quote in which he attempts ‘starting a sentence in the middle, and then going to the beginning and the end of it at the same time… both directions at once’—as his philosophical treatise. Borrowing from biographers, musicologists and jazz critics, this contribution argues that in the album, the music engages with itself rather than seeking resolution or finality. In other words, Coltrane’s dialectical aesthetic drives the aesthetic. Both Directions at Once is sound focused on sonically opposing forces. It is an attempt by a deep thinker to present contradictions and oppositions between musical polarities that may create new potentialities. What listeners hear is Coltrane, the philosopher, striving toward a multidirectional aesthetic that furnishes music unshackled from the conditions of possibility.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
0
期刊介绍: Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.
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