{"title":"两个方向同时进行","authors":"Bryan Banker","doi":"10.1558/jazz.23072","DOIUrl":null,"url":null,"abstract":"In Both Directions at Once, an album lost for almost 40 years, John Coltrane presents a constellation of musical tradition, themes, composition and improvisation, in dialectical opposition. This article imagines Coltrane as a sonic philosopher of oppositions and the album—named after Coltrane’s quote in which he attempts ‘starting a sentence in the middle, and then going to the beginning and the end of it at the same time… both directions at once’—as his philosophical treatise. Borrowing from biographers, musicologists and jazz critics, this contribution argues that in the album, the music engages with itself rather than seeking resolution or finality. In other words, Coltrane’s dialectical aesthetic drives the aesthetic. Both Directions at Once is sound focused on sonically opposing forces. It is an attempt by a deep thinker to present contradictions and oppositions between musical polarities that may create new potentialities. What listeners hear is Coltrane, the philosopher, striving toward a multidirectional aesthetic that furnishes music unshackled from the conditions of possibility.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Both Directions at Once\",\"authors\":\"Bryan Banker\",\"doi\":\"10.1558/jazz.23072\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Both Directions at Once, an album lost for almost 40 years, John Coltrane presents a constellation of musical tradition, themes, composition and improvisation, in dialectical opposition. This article imagines Coltrane as a sonic philosopher of oppositions and the album—named after Coltrane’s quote in which he attempts ‘starting a sentence in the middle, and then going to the beginning and the end of it at the same time… both directions at once’—as his philosophical treatise. Borrowing from biographers, musicologists and jazz critics, this contribution argues that in the album, the music engages with itself rather than seeking resolution or finality. In other words, Coltrane’s dialectical aesthetic drives the aesthetic. Both Directions at Once is sound focused on sonically opposing forces. It is an attempt by a deep thinker to present contradictions and oppositions between musical polarities that may create new potentialities. What listeners hear is Coltrane, the philosopher, striving toward a multidirectional aesthetic that furnishes music unshackled from the conditions of possibility.\",\"PeriodicalId\":40438,\"journal\":{\"name\":\"Jazz Research Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jazz Research Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jazz.23072\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jazz Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jazz.23072","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
In Both Directions at Once, an album lost for almost 40 years, John Coltrane presents a constellation of musical tradition, themes, composition and improvisation, in dialectical opposition. This article imagines Coltrane as a sonic philosopher of oppositions and the album—named after Coltrane’s quote in which he attempts ‘starting a sentence in the middle, and then going to the beginning and the end of it at the same time… both directions at once’—as his philosophical treatise. Borrowing from biographers, musicologists and jazz critics, this contribution argues that in the album, the music engages with itself rather than seeking resolution or finality. In other words, Coltrane’s dialectical aesthetic drives the aesthetic. Both Directions at Once is sound focused on sonically opposing forces. It is an attempt by a deep thinker to present contradictions and oppositions between musical polarities that may create new potentialities. What listeners hear is Coltrane, the philosopher, striving toward a multidirectional aesthetic that furnishes music unshackled from the conditions of possibility.
期刊介绍:
Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.