我不是费利克斯:伊纳希亚、莱斯比亚和贺拉斯的纪元。

IF 0.6 1区 历史学 0 CLASSICS
James R. Townshend
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引用次数: 1

摘要

摘要:本文以贺拉斯在《Epodes》第11章和第12章中所使用的有意义的名字为背景,探讨贺拉斯与近代诗歌的关系。Epode 11侧重于拉丁爱情挽歌,但Epode 12通过与早期诗歌相关的名称和参考,广泛涉及近代诗学。这包括对卡尔乌斯的《伊娥》中的哀歌的改编。贺拉斯在《Epode 12》中创作了一幅与理想的近代女性形成鲜明对比的乘数肖像。贺拉斯与她的性失败戏剧化了诗人与抑扬格谩骂的关系,她是一种讽喻的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
O Ego Non Felix: Inachia, Lesbia, and Horace's Epodes
Abstract:This paper explores Horace's relationship with neoteric poetry in the context of Epodes 11 and 12 as signaled by Horace's use of meaningful names. Epode 11 focuses on Latin love elegy, but Epode 12 engages broadly with neoteric poetics through names associated with and references to that earlier poetry. This includes an adaptation of the lament from Calvus' Io. Horace creates a portrait of the mulier in Epode 12 that stands in contrast to the ideal neoteric woman. Horace's sexual failure with her dramatizes the poet's relationship with iambic invective, of which she is an allegorical representation.
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来源期刊
CiteScore
1.00
自引率
20.00%
发文量
15
期刊介绍: Founded in 1880, American Journal of Philology (AJP) has helped to shape American classical scholarship. Today, the Journal has achieved worldwide recognition as a forum for international exchange among classicists and philologists by publishing original research in classical literature, philology, linguistics, history, society, religion, philosophy, and cultural and material studies. Book review sections are featured in every issue. AJP is open to a wide variety of contemporary and interdisciplinary approaches, including literary interpretation and theory, historical investigation, and textual criticism.
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