克劳迪奥波利斯的木卫三马赛克

IF 0.3 0 ARCHAEOLOGY
S. Sezer
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引用次数: 0

摘要

克劳迪奥波利斯(博卢)是古代比提尼亚的一座著名城市。木卫三马赛克是2011年在市中心的一次救援挖掘中发现的。木卫三马赛克是一种长方形的地板马赛克,位于该市一座罗马别墅的地面上。马赛克底座的大小为3.60米x 6.70米。木卫三被认为是最美丽的凡人,是达达尼亚人的后裔,属于特洛伊王室。宙斯在伊达山的山坡上放羊时,看到并爱上了年轻的木卫三。宙斯要么召唤一只鹰,要么自己变成一只鹰将年轻人送到奥林匹斯山,在那里他被任命为众神的酒政。木卫三被绑架的故事在希腊化的艺术和文学中流行起来,并在罗马马赛克艺术家中继续流行。在马赛克艺术家的作品中,关于木卫三神话最受欢迎的描绘是宙斯变成鹰绑架木卫三并将其带到奥林匹斯山的场景。Claudiopolis的马赛克描绘了Ganymede在奥林匹斯山担任酒保期间向鹰提供饮料的事件的以下阶段。对这一场景的描绘很少被发现,这也增加了Claudiopolis Ganymedes马赛克的意义。矩形排列的场景显示左侧是鹰,右侧是木卫三。带有人物的面板被一条边界包围,该边界由一条简单的海鸠、一条直带和两条相交的圆圈组成。该场景没有任何大胆的树木或植物图案作为自然环境的标志。由于其风格和图像特征,Claudiopolis的马赛克估计可以追溯到公元3世纪末或4世纪初。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Ganymede Mosaic of Claudiopolis
Claudiopolis (Bolu) was a prominent city in Bithynia during the Ancient Period. The Ganymede mosaic was discovered during a rescue excavation at the city center in 2011. The Ganymede mosaic is a floor mosaic arranged in a rectangle and situated on the ground of a Roman villa in the city. The size of the mosaic base is 3.60 m. x 6.70 m. Ganymede, considered as the most beautiful of mortals, was descended from the Dardanians and belonged to the Trojan royal family. Zeus saw and fell in love with the young Ganymede while he had been tending sheep on the slopes of Mount Ida. Zeus either summoned an eagle or turned into an eagle himself to transport the youth to Mount Olympus where he was appointed as cupbearer of the gods. The story of the abduction of Ganymede became popular in Hellenistic art and literature and continued to be so among Roman mosaic artists. The most preferred depiction with regard to the myth of Ganymede in the repertoire of mosaic artists was the scene of Zeus turning into an eagle to abduct Ganymede and bring him to Olympus. The mosaic of Claudiopolis depicts the following stage of the events in which Ganymede, during his life as a cupbearer in Olympus, offers a drink to the eagle. The depiction of this scene has rarely been found, which also adds to the significance of the Claudiopolis Ganymedes mosaic. The scene arranged in a rectangle shows the eagle on the left side and Ganymede on the right side. The panel with figures is surrounded by a border consisting of a line of simple guilloche, a straight band and two lines of intersecting circles. The scene does not involve any bolder, tree or plant motifs as indicators of a natural environment. Due to its stylistic and iconographic characteristics, the mosaic of Claudiopolis is estimated to date back to the late 3th century or early 4th century AD.
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CiteScore
0.40
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24
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