亚裔美国女同性恋女权主义思想向何处去?

IF 0.2 4区 文学 0 LITERARY THEORY & CRITICISM
Vivian L. Huang
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引用次数: 2

摘要

摘要:美籍亚裔女同性恋女性主义的隐蔽性产生了什么?本文以当代美籍亚裔女同性恋女权主义作家吴宇森(Merle Woo)的作品为中心,提出一个问题:当“亚洲人”和“美国人”、“女同性恋”和“女权主义者”不能被视为相互体现的知识和实践时,什么是有纪律和规范的?坚持将亚洲种族话语与性别、性、帝国主义、军国主义和其他权力分析的相关研究隔离开来,实际上如何为白人资本主义、殖民主义种族秩序服务?这篇文章结合了有色人种女性女权主义思想家的作品,包括Dana Takagi和Sara Ahmed,来思考亚裔美国女同性恋女权主义形式在吴宇的诗歌、新闻和她的书信体散文《给马的信》中的短暂存在,《这是我的背桥》是重要的选集。通过引用有色人种女性的女权主义作品,包括亚裔美国女同性恋女权主义者的作品,该页面成为了一个转瞬即逝的集体舞台。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Whither Asian American Lesbian Feminist Thought?
Abstract:What is produced by the invisibility of Asian American lesbian feminism? This article centers the work of contemporary Asian American lesbian feminist writer Merle Woo to ask: What is disciplined and normalized when "Asian" and "American" and "lesbian" and "feminist" cannot be held and thought as mutually embodied knowledges and practices? How does an insistent isolation of Asian racial discourse from relevant studies of gender, sexuality, imperialism, militarism, and other analytics of power in fact serve a white capitalist, colonial racial order? The article engages the writing of women of color feminist thinkers including Dana Takagi and Sara Ahmed to consider the ephemeral presence of Asian American lesbian feminist forms in Woo's poetry, journalism, and her epistolary essay "Letter to Ma" in the pivotal anthology This Bridge Called My Back. By citing women of color feminist work, including that of Asian American lesbian feminists, the page becomes a stage for fleeting collectivity.
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来源期刊
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM LITERARY THEORY & CRITICISM-
CiteScore
0.80
自引率
0.00%
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0
期刊介绍: For over thirty years, diacritics has been an exceptional and influential forum for scholars writing on the problems of literary criticism. Each issue features articles in which contributors compare and analyze books on particular theoretical works and develop their own positions on the theses, methods, and theoretical implications of those works.
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