体裁的制度视角:1500-2020年德国文学的一般字幕

Q1 Arts and Humanities
Benjamin Gittel
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引用次数: 1

摘要

本文使用一个由388000初版《德国文学》定制的数据库,调查了500多年文学史上类型指示字幕的长期发展。这种方法为类型理论领域的最新工作增加了社会制度视角,是将历史见证(即历史参与者的分类)和文本特征结合在一个单一模型中的第一步。从有多少书有通用字幕这一基本问题出发,分析了最常见的类型标签的使用、通用字幕与类型产生的关系、通用术语永久存在的时期(制度周期)和通用差异的时期。它使用K-Means聚类和动态时间扭曲(DTW)确定了通用字幕发展中的重复模式,并揭示了文学与历史和真理之间不断变化的关系,从而为最近关于诗歌发明实践的理论工作奠定了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Institutional Perspective on Genres: Generic Subtitles in German Literature from 1500-2020
Using a custom-designed database of 388,000 first editions of German Literature this paper investigates the long-term development of genre-indicating subtitles over more than 500 years of literary history. This approach adds a social-institutional perspective to recent work in the field of genre theory, and is a first step towards combining historical testimony, i.e. historical actors’ classifications, and textual features in a single model. Starting from the fundamental question of how many books have generic subtitles, the paper analyses the use of the most common genre labels, the relation between generic subtitles and genre production, periods of the permanent presence of generic terms (institutional cycles) and periods of generic differentiation. It identifies recurrent patterns in the development of generic subtitles using K-Means-Clustering and Dynamic Time Warping (DTW) and sheds light on literature’s changing relation to history and truth, thereby underpinning recent theoretical work on the practices of poetic invention.
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来源期刊
Journal of Cultural Analytics
Journal of Cultural Analytics Arts and Humanities-Literature and Literary Theory
CiteScore
2.90
自引率
0.00%
发文量
9
审稿时长
10 weeks
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