“黑暗酒吧背后的清白良心”

IF 0.7 3区 历史学 Q1 HISTORY
Rüstem Ertuğ Altınay
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引用次数: 0

摘要

政治犯的形象化提高了他们的知名度、可信度和权力。然而,图像化也可能减少、重新想象或以其他方式扭曲政治犯的传记和经历。此外,囚犯的观点和活动的象似性模糊可能会导致他们的故事被重新传播,为与他们自己的政治项目不完全一致的政治项目服务。1971年,伊斯兰偶像Şule YükselŞenler(1938-1919)被监禁,这为分析这些动态以及性别如何从根本上影响它们提供了一个极好的视角。Şule YükselŞenler的各种媒体表现表明,在冷战时期土耳其一名伊斯兰政治犯的形象化中,历史比喻如何与对法律、宗教以及自由和民主话语的批判性引用纠缠在一起。Şenler的遗产和最近对她的故事的引用表明,图像化倾向于掩盖或扭曲囚犯的意识形态投资和活动,实际上可能会增强他们融入新政治项目的能力。这项针对右翼政治犯的案例研究揭示了政治监禁的历史,再加上不公正和受害的论述,也可能被用来使威权政治政权和新的监禁合法化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“A Clean Conscience behind the Dark Bars”
The iconification of political prisoners enhances their visibility, credibility, and power. Nevertheless, iconification may also reduce, reimagine, or otherwise distort the biographies and experiences of political prisoners. Moreover, iconicity’s blurring of prisoners’ views and activities may result in the recirculation of their stories in the service of political projects that do not fully align with their own. The incarceration of the Islamist icon Şule Yüksel Şenler (1938–2019) in 1971 presents an excellent vantage point from which to analyze these dynamics and how gender informs them in fundamental ways. The diverse media representations of Şule Yüksel Şenler demonstrate how historical tropes became entangled with critical references to the law, religion, and the discourses of freedom and democracy in the iconification of an Islamist political prisoner in Cold War Turkey. Şenler’s legacy and the recent references to her story show how the tendency of iconification to occlude or distort prisoners’ ideological investments and activities may in fact enhance their ability to integrate into new political projects. This case study of a right-wing political prisoner exposes how the histories of political incarceration, combined with the discourses of injustice and victimization, may also be used to legitimize authoritarian political regimes and new incarcerations.
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: Individual subscribers and institutions with electronic access can view issues of Radical History Review online. If you have not signed up, review the first-time access instructions. For more than a quarter of a century, Radical History Review has stood at the point where rigorous historical scholarship and active political engagement converge. The journal is edited by a collective of historians—men and women with diverse backgrounds, research interests, and professional perspectives. Articles in RHR address issues of gender, race, sexuality, imperialism, and class, stretching the boundaries of historical analysis to explore Western and non-Western histories.
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