我们共同的日本:爱尔兰女性诗歌中的爱情与异国情调的当代空间

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Arancha Rodríguez-Fernández
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引用次数: 0

摘要

本文的目的是分析当代爱尔兰女性诗人,特别是艾琳·德·安吉利斯和约瑟夫·伍兹主编的《我们共同的日本》(2007)选集中的女性作家,对“幸福之所”提出的新视角。本文认为,这些作家提供了对传统游牧主义的替代,引发了对女性身份和主体性的新思考。正如唐娜·l·波茨(Donna L. Potts)所断言的那样,田园传统的一些构成方面是“自然与人性之间的关系,现在与神话化的过去之间的关系,转型的主题等”(9)。这些方面将在前往日本的新异国空间的背景下进行仔细审查。诗意的声音在旅途中遇到的另类为他们提供了对自己和与环境有关的情感生活的新看法。这种身份的重新协商主要是通过身体进行的,身体成为知识和交流的工具。因此,旅行的异托邦(福柯)为诗歌主体提供了一个完美的空间来互动、改变和反思他们的身份,他们的归属感或疏离感以及旅行对他们情感生活的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Our Shared Japan: Contemporary Spaces of Love and Exoticism in Irish Women’s Poetry
The aim of this paper is to analyse the new perspectives on the locus amoenus put forward by contemporary women poets in Ireland, in particular those by the female authors included in the anthology Our Shared Japan, edited by Irene De Angelis and Joseph Woods (2007). This paper argues that these writers provide alternatives to traditional pastoralism that trigger new reflections on women’s identities and subjectivities. As Donna L. Potts asserts, some constitutive aspects of the pastoral tradition are “the relationship between nature and human nature, and between the present and the mythicised past, the motif of transformation, etc.” (9). These aspects will be scrutinised in the context of travel to the new, exotic space of Japan. The alterity that the poetic voices meet with in their travel provides them with new perceptions of themselves and their affective life in relation to the environment. This renegotiation of identity is mostly made through the body, which becomes a tool for knowledge and communication. The heterotopia (Foucault) of the trip, therefore, provides the perfect space for the poetic subjects to interact, change and reflect about their identity, their sense of belonging or alienation and the impact of travel on their emotional life.
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来源期刊
Estudios Irlandeses
Estudios Irlandeses HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
19
审稿时长
16 weeks
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