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引用次数: 0
摘要
Maria de Oliveira Barros被称为“Maria Boa”,是北里奥格兰德州纳塔尔市著名的卡巴莱老板和性工作者,她出现在许多当地文化作品中。这篇文章讲述了她在20世纪中期巴西东北部对种族、阶级、性别和性关系的复杂关系的导航和谈判。我举了三个例子——一首当代科德尔诗歌、CabaréMaria Boa的空间和一场四重奏舞蹈表演——来探索酷炫是如何通过传统的乡村文化来表达的,这些文化也随着移民来到了城市。我认为Maria Boa为理解该地区的怪异现象提供了一个棱镜。她的跨部门身份协商既传统又颠覆,她的故事是巴西东北部酷儿身份复杂性的典范。
Maria Boa: Women, Prostitution, and the Queer Subject in Northeastern Brazil
Known as "Maria Boa," the renowned cabaré owner and sex worker of Natal, Rio Grande do Norte, Maria de Oliveira Barros emerges in many local cultural productions. This article follows her navigation and negotiation of a complex nexus of race, class, gender, and sexual relations in the mid-twentieth century Brazilian Northeast. I utilize three examples—a contemporary cordel poem, the space of the Cabaré Maria Boa, and a quadrilha dance performance—to explore how queerness is expressed through traditional, rural culture that has also traveled to cities with migration. I argue that Maria Boa serves a prism for understanding articulations of queerness in the region. Her intersectional identity negotiation is at once traditional and subversive and her story paradigmatic of the complexities of queer identity in the Brazilian Northeast.