来自圣安东尼奥的爱:移民纪念邮件和“墨西哥人”的大量复制品

IF 1.1 2区 文学 Q3 COMMUNICATION
Sierra Mendez
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引用次数: 0

摘要

摘要纪念明信片的说服力在学术界一直被忽视。这篇文章探讨了20世纪之交,圣安东尼奥的定居者如何战略性地使用纪念明信片来宣传他们的城市及其在现代国家中的地位,将其作为“边境城市”向白人游客和其他定居者推销,并继续剥夺和从属当地人科阿韦尔特坎、特贾诺和墨西哥当地人。本文中的例子来自300张真实的照片明信片(1904–17),以考虑它们的制作模式、图像、标题、信息和集体影响。通过这篇文章,我表明,纪念明信片是定居者殖民主义和殖民主义/现代性的一种运作方式,在地方和全球范围内证明了占主导地位的帝国国家和集团之间的网络利益和合作,以大规模(重新)生产自己并强加其权力结构模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
With Love from San Antonio: Settler Souvenir Postals and Mass Reproductions of “Mexicans”
ABSTRACT The persuasive power of souvenir postal cards has been overlooked in scholarship. This essay examines how settlers in San Antonio, at the turn of the twentieth century, used souvenir postal cards strategically to produce knowledge about their city and its place in the modern nation, to market it to White tourists and other settlers as a “bordertown,” and to continue to dispossess and subordinate native Coahuiltecan, Tejano, and Mexican locals. Examples in this essay are drawn from a corpus of 300 real-photo postcards (1904–17) to consider their modes of production, images, captions, messages, and affects en masse. Through this essay, I show that souvenir postal cards are a way settler colonialism and coloniality/modernity worked, evidencing on local and global scales networked interest and cooperation between dominant imperial nations and groups to mass-(re)produce themselves and impose their structural patterns of power.
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CiteScore
1.00
自引率
14.30%
发文量
40
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