巴伊亚州的非裔巴西人雕塑

Q4 Arts and Humanities

Art in Translation Pub Date : 2022-01-02 DOI:10.1080/17561310.2022.2046531

Odorico Tavares

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引用次数: 0

摘要

塔瓦雷斯首先讨论了欧洲现代艺术家与“原始艺术”之间的联系，然后转向开创性作家对非裔巴西雕塑的贡献，特别是Raimondo Nina Rodrigues的文章“As Bellas-Artes nos Colonos Pretos do Brazil”。《雕塑》(1904)和亚瑟·拉莫斯的《巴西黑人艺术》(1949)。塔瓦雷斯不仅展示了两位作者在研究巴伊亚这类雕塑方面的重要性，还突出了作者和出处等重要问题。

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The Afro-Brazilian Sculpture in Bahia

Abstract Tavares first discusses the connections between European modern artists and “primitive art” and then turns to the contributions made by pioneering writers on Afro-Brazilian sculpture, notably, Raimondo Nina Rodrigues’ essay “As Bellas-Artes nos Colonos Pretos do Brazil. A Esculptura” (1904) and Arthur Ramos’ “Arte Negra no Brasil” (1949). Tavares not only shows the importance of both authors in the study of this type of sculpture in Bahia but also highlights important issues, such as authorship and provenance.

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来源期刊

Art in Translation Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

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