书评:Suraiya Faroqhi,奥斯曼帝国和莫卧儿帝国:近代早期世界的社会史

Pub Date : 2020-03-11 DOI:10.1177/0971945820907409
Pratyay Nath
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引用次数: 0

摘要

现代史学(“相当新的史学小说”(第158页),正如这里所说的那样),以及现代历史记录中的一个主要比喻,但这种分离是一种情感策略,是对狭义男性政治的一种估价,以服务于同样狭义的政治利益。这是一个仍然具有政治影响力的想法(例如,参见平克的启蒙运动的不可支持的理由)。这不仅言外之意歪曲了中世纪的生活,也歪曲了现代的生活,正是在这一观察中,博奎特和纳吉等作品的真正重要性变得清晰起来。在这里,“学术思想向情感的自然哲学的进化”,即人类作为“被赋予理性的情感生物”始于12世纪(第135页),到13世纪末,“情感科学”已经到位。人类是非常复杂的生物,在身体、大脑和文化层面上都会随着时间的推移而发生深刻的变化。现代人或他们的思想没有什么比中世纪人更复杂的了,解释随着时间的推移,在感觉、表达、身体和情感实践以及认识论方面存在的差异,不能通过日益复杂的模式来进行。作为一部中世纪历史作品,这部作品丰富而优雅,也应该促使现代主义者检查他们的假设和出发点。真正基础性的《中世纪情感》是那些希望接受“我们所来自的奇怪情感材料的无限文化延展性”的人的理想入门(第248页)。
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Book Review: Suraiya Faroqhi, The Ottoman and Mughal Empires: Social History in the Early Modern World
modern historiography (‘a rather recent historiographical fiction’ (p. 158), as it is styled here), as well as a dominant trope in the modern historical record, but this separation was an affective manoeuvre, a valorisation of a politics of masculinity conceived narrowly, to serve political interests conceived equally narrowly. It is an idea that still has political currency (see the unsupportable reason-boosting of Pinker’s Enlightenment Now, for example). This has not only misrepresented medieval life by implication but modern life too, and it is in this observation that the real importance of works such as Boquet and Nagy’s becomes clear. Here, the ‘evolution of scholarly thought towards a natural philosophy of the emotions’, of the human as an ‘emotive creature endowed with reason’ began in the twelfth century (p. 135), with a ‘science of emotion’ in place by the end of the 13th. Human beings are deeply complex creatures, deeply subject to change over time, at the level of the body, the brain, and of culture. There is nothing more complex about modern human beings or their ideas than about medieval human beings, and explaining what differences there are over time, in feeling, in expression, in bodily and affective practices, in epistemology, cannot be carried out through the mode of increasing complication. Beautifully rich and elegant as a work of medieval history, this work should also prompt modernists to check their assumptions and their starting points. Truly foundational, Medieval Sensibilities is an ideal introduction for those who wish to embrace ‘the infinite cultural malleability of the strange, affective material from which we are made’ (p. 248).
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