{"title":"代表甘地:殖民与后殖民时期小说选集中的圣雄甘地人物研究","authors":"Mainak Gupta","doi":"10.21659/rupkatha.v15n3.07","DOIUrl":null,"url":null,"abstract":"The 1930s saw the rise of Mahatma Gandhi as the frontline leader of India’s struggle against the British imperialists, and it was also a decade when the Indian novel in English came of age, with the publication of Mulk Raj Anand’s Untouchable, R.K. Narayan’s Swami and Friends and Raja Rao’s Kanthapura within a few years of each other. The English novel in India grew as a consequence of the English education introduced by the British, and it was used as a weapon against the imperialists by a bunch of young men who were primarily educated abroad, with an aim to use a universal language that addressed all Indians all over the world. Gandhi, unsurprisingly, became a great source of inspiration for these writers. Gandhi has been a subject of literature and other forms of art to this day, but the portrayal of the ‘Great-soul’ (as Tagore called Gandhi) has gone through a change since the pre-independence days. This essay analyses the change in the portrayal of Gandhi by close-reading four novels, Untouchable (1935) and Kanthapura (1938) from the colonised period, and Waiting for the Mahatma (1955) and Dhorai Charit Manas (1950) from the post-independence era. The essay shows how the portrayal of Gandhi and Gandhism went through a change in the novels from the colonial period to post-colonial times, as the reverence and deification of Gandhi that was so prevalent in the novels of the colonial time gave way to a more humane portrayal of the most influential leader of India’s freedom struggle.","PeriodicalId":43128,"journal":{"name":"Rupkatha Journal on Interdisciplinary Studies in Humanities","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Representing Gandhi: A Study of Mahatma Gandhi as a Character in Selected Novels from Colonial and Post-Colonial Times\",\"authors\":\"Mainak Gupta\",\"doi\":\"10.21659/rupkatha.v15n3.07\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The 1930s saw the rise of Mahatma Gandhi as the frontline leader of India’s struggle against the British imperialists, and it was also a decade when the Indian novel in English came of age, with the publication of Mulk Raj Anand’s Untouchable, R.K. Narayan’s Swami and Friends and Raja Rao’s Kanthapura within a few years of each other. The English novel in India grew as a consequence of the English education introduced by the British, and it was used as a weapon against the imperialists by a bunch of young men who were primarily educated abroad, with an aim to use a universal language that addressed all Indians all over the world. Gandhi, unsurprisingly, became a great source of inspiration for these writers. Gandhi has been a subject of literature and other forms of art to this day, but the portrayal of the ‘Great-soul’ (as Tagore called Gandhi) has gone through a change since the pre-independence days. This essay analyses the change in the portrayal of Gandhi by close-reading four novels, Untouchable (1935) and Kanthapura (1938) from the colonised period, and Waiting for the Mahatma (1955) and Dhorai Charit Manas (1950) from the post-independence era. The essay shows how the portrayal of Gandhi and Gandhism went through a change in the novels from the colonial period to post-colonial times, as the reverence and deification of Gandhi that was so prevalent in the novels of the colonial time gave way to a more humane portrayal of the most influential leader of India’s freedom struggle.\",\"PeriodicalId\":43128,\"journal\":{\"name\":\"Rupkatha Journal on Interdisciplinary Studies in Humanities\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-08-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rupkatha Journal on Interdisciplinary Studies in Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21659/rupkatha.v15n3.07\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rupkatha Journal on Interdisciplinary Studies in Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21659/rupkatha.v15n3.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Representing Gandhi: A Study of Mahatma Gandhi as a Character in Selected Novels from Colonial and Post-Colonial Times
The 1930s saw the rise of Mahatma Gandhi as the frontline leader of India’s struggle against the British imperialists, and it was also a decade when the Indian novel in English came of age, with the publication of Mulk Raj Anand’s Untouchable, R.K. Narayan’s Swami and Friends and Raja Rao’s Kanthapura within a few years of each other. The English novel in India grew as a consequence of the English education introduced by the British, and it was used as a weapon against the imperialists by a bunch of young men who were primarily educated abroad, with an aim to use a universal language that addressed all Indians all over the world. Gandhi, unsurprisingly, became a great source of inspiration for these writers. Gandhi has been a subject of literature and other forms of art to this day, but the portrayal of the ‘Great-soul’ (as Tagore called Gandhi) has gone through a change since the pre-independence days. This essay analyses the change in the portrayal of Gandhi by close-reading four novels, Untouchable (1935) and Kanthapura (1938) from the colonised period, and Waiting for the Mahatma (1955) and Dhorai Charit Manas (1950) from the post-independence era. The essay shows how the portrayal of Gandhi and Gandhism went through a change in the novels from the colonial period to post-colonial times, as the reverence and deification of Gandhi that was so prevalent in the novels of the colonial time gave way to a more humane portrayal of the most influential leader of India’s freedom struggle.
期刊介绍:
“The fundamental idea for interdisciplinarity derives” as our Chief Editor Explains, “from an evolutionary necessity; namely the need to confront and interpret complex systems…An entity that is studied can no longer be analyzed in terms of an object of just single discipline, but as a contending hierarchy of components which could be studied under the rubric of multiple or variable branches of knowledge.” Following this, we encourage authors to engage themselves in interdisciplinary discussion of topics from the broad areas listed below and apply interdsiciplinary perspectives from other areas of the humanities and/or the sciences wherever applicable. We publish peer-reviewed original research papers and reviews in the interdisciplinary fields of humanities. A list, which is not exclusive, is given below for convenience. See Areas of discussion. We have firm conviction in Open Access philosophy and strongly support Open Access Initiatives. Rupkatha has signed on to the Budapest Open Access Initiative. In conformity with this, the principles of publications are primarily guided by the open nature of knowledge.