米尔顿的“适合观众”

IF 0.1 2区 文学 0 POETRY
Warren Chernaik
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引用次数: 0

摘要

摘要:在叙述者对“合适的观众……尽管很少”的唤起中,《失乐园》回应了米尔顿在英国复辟时期的直接处境。然而,寻找、鼓励或创造一个“合适的观众”的愿望,再加上这样的观众数量必然“很少”的信念,仍然是米尔顿整个职业生涯的当务之急。仔细观察米尔顿的散文作品,从《不合法性》到《阅读》和《轻松之道》,以及《失乐园》之前和之后诗歌中“合适”和“少数”的语言,本文追溯了米尔顿复杂而不断发展的适合观众的概念。随着米尔顿对人们自身的信心下降,他越来越依赖神的帮助来寻找或创造合适的观众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Milton's "Fit Audience"
abstract:In the narrator's evocation of "fit audience . . . though few," Paradise Lost responds to Milton's immediate circumstances in Restoration England. Yet the desire to find, encourage, or create a "fit audience," coupled with a conviction that such an audience will necessarily be "few" in number, remained a preoccupation of Milton's throughout his career. Looking closely at Milton's prose works, from Areopagitica to The Readie and Easie Way, and at the language of the "fit" and "few" in poetry up to and beyond Paradise Lost, this article traces Milton's complex and evolving concept of a fit audience. As Milton's confidence in the people themselves decreases, he increasingly depends on divine aid to find or create that fit audience.
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来源期刊
Milton Studies
Milton Studies POETRY-
CiteScore
0.40
自引率
50.00%
发文量
12
期刊介绍: Milton Studies is published annually by the University of Pittsburgh Press as a forum for Milton scholarship and criticism.
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