迄今未知：走向合成声音理论

IF 0.2 4区社会学 Q4 CULTURAL STUDIES

Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-02-01 DOI:10.1215/01903659-9615403

H. Frank

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引用次数: 1

摘要

在20世纪20年代和30年代，德国、苏联和美国的电影制作人通过将摄影或绘制的图案直接打印到电影带的光学配乐上来创造合成声音。本文将这些实践与Dziga Vertov和Jean Epstein的激进电影理论一起进行了研究，以测试声音认识论的局限性，并最终想象将合成声音想象成纪录片声音可能意味着什么。

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The Hitherto Unknown: Toward a Theory of Synthetic Sound

In the 1920s and 1930s, filmmakers in Germany, the Soviet Union, and the United States created synthetic sounds by printing photographic or drawn patterns directly onto a filmstrip's optical soundtrack. This essay examines these practices alongside the radical film theories of Dziga Vertov and Jean Epstein in order to test the limits of sonic epistemology—and, ultimately, to imagine what it might mean to conceive of synthetic sound as documentary sound.

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来源期刊

Boundary 2-An International Journal of Literature and Culture Multiple-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： Extending beyond the postmodern, boundary 2, an international journal of literature and culture, approaches problems in these areas from a number of politically, historically, and theoretically informed perspectives. boundary 2 remains committed to understanding the present and approaching the study of national and international culture and politics through literature and the human sciences.