南向:南朝平民的幻想

IF 0.3 4区 社会学 0 ASIAN STUDIES
Stephen Owen
{"title":"南向:南朝平民的幻想","authors":"Stephen Owen","doi":"10.1080/15299104.2021.1974736","DOIUrl":null,"url":null,"abstract":"The short, often anonymous yuefu of the South, from the fourth to sixth century CE, mediated by the interests of the male members of the Northern émigré elite, are taken to represent the voice of Southern commoners, particularly of young women. If the Northern elite defined itself in terms of names, history, and high culture, the voices of these yuefu were seen as timeless expressions of the “natural” and never identified by surnames. A second look at the poems shows that they are not simply “natural,” but about “being natural” and making a claim that they are natural. It is a voice telling members of the elite what they want to hear about the commoners. Finally, the essay also considers the preservation of the songs in written form, which transmits the desired image of those ruled to their rulers.","PeriodicalId":41624,"journal":{"name":"Early Medieval China","volume":"2021 1","pages":"75 - 89"},"PeriodicalIF":0.3000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Southbound: Fantasies of the Plebeian in the Southern Dynasties\",\"authors\":\"Stephen Owen\",\"doi\":\"10.1080/15299104.2021.1974736\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The short, often anonymous yuefu of the South, from the fourth to sixth century CE, mediated by the interests of the male members of the Northern émigré elite, are taken to represent the voice of Southern commoners, particularly of young women. If the Northern elite defined itself in terms of names, history, and high culture, the voices of these yuefu were seen as timeless expressions of the “natural” and never identified by surnames. A second look at the poems shows that they are not simply “natural,” but about “being natural” and making a claim that they are natural. It is a voice telling members of the elite what they want to hear about the commoners. Finally, the essay also considers the preservation of the songs in written form, which transmits the desired image of those ruled to their rulers.\",\"PeriodicalId\":41624,\"journal\":{\"name\":\"Early Medieval China\",\"volume\":\"2021 1\",\"pages\":\"75 - 89\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Medieval China\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15299104.2021.1974736\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Medieval China","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15299104.2021.1974736","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

从公元4世纪到6世纪,南方的短的,通常是匿名的乐府,由北方的男性精英成员的利益所调解,被认为是代表南方平民的声音,特别是年轻女性的声音。如果说北方精英用名字、历史和高雅文化来定义自己,那么这些乐府的声音则被视为“自然”的永恒表达,从不以姓氏来识别。再看一下这些诗,就会发现它们不仅仅是“自然”,而是关于“自然”,并声称它们是自然的。它是一种声音,告诉精英们他们想听到的关于平民的事情。最后,本文还考虑了以书面形式保存歌曲,这将被统治者所期望的形象传递给他们的统治者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Southbound: Fantasies of the Plebeian in the Southern Dynasties
The short, often anonymous yuefu of the South, from the fourth to sixth century CE, mediated by the interests of the male members of the Northern émigré elite, are taken to represent the voice of Southern commoners, particularly of young women. If the Northern elite defined itself in terms of names, history, and high culture, the voices of these yuefu were seen as timeless expressions of the “natural” and never identified by surnames. A second look at the poems shows that they are not simply “natural,” but about “being natural” and making a claim that they are natural. It is a voice telling members of the elite what they want to hear about the commoners. Finally, the essay also considers the preservation of the songs in written form, which transmits the desired image of those ruled to their rulers.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Early Medieval China
Early Medieval China ASIAN STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
8
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信