{"title":"移民Gnosis：在美国工作","authors":"A. Alvarez","doi":"10.18272/post(s).v7i7.2491","DOIUrl":null,"url":null,"abstract":"This essay proposes a reflection on the curatorial work I did for the exhibition Comunidades Visibles: The Materiality of Migration, exhibited between February and May 2021, at the Albright-Knox Art Gallery, in Buffalo, New York. The exhibition brought together artworks by first- or second-generation immigrant Latinx artists. Each combines materials and techniques from their country of origin, from other colonized places, or from their present context with everyday or art historical references. \n","PeriodicalId":33901,"journal":{"name":"Posts","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Immigrant Gnosis: Making Work in the United States\",\"authors\":\"A. Alvarez\",\"doi\":\"10.18272/post(s).v7i7.2491\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay proposes a reflection on the curatorial work I did for the exhibition Comunidades Visibles: The Materiality of Migration, exhibited between February and May 2021, at the Albright-Knox Art Gallery, in Buffalo, New York. The exhibition brought together artworks by first- or second-generation immigrant Latinx artists. Each combines materials and techniques from their country of origin, from other colonized places, or from their present context with everyday or art historical references. \\n\",\"PeriodicalId\":33901,\"journal\":{\"name\":\"Posts\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Posts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18272/post(s).v7i7.2491\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Posts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18272/post(s).v7i7.2491","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Immigrant Gnosis: Making Work in the United States
This essay proposes a reflection on the curatorial work I did for the exhibition Comunidades Visibles: The Materiality of Migration, exhibited between February and May 2021, at the Albright-Knox Art Gallery, in Buffalo, New York. The exhibition brought together artworks by first- or second-generation immigrant Latinx artists. Each combines materials and techniques from their country of origin, from other colonized places, or from their present context with everyday or art historical references.
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