Wuthigrai Siriphon:强调传统

IF 0.3 0 ART
P. Oakley
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引用次数: 0

摘要

Wuthigrai Siriphon的创新成果借鉴了他的泰国传统以及对地区纺织工艺技术的广泛知识和实践经验。尽管他的作品经常引用历史形式和调色板,但他的工作室纺织品却远非古板,展现出一种现代主义的情感,常常近乎壮观。将这样一位有创意的从业者安全地归类总是有问题的,但一旦观众承认东南亚纺织实践的分层性质,任何分类的尝试都会变得更加困难。在这个地区,对织物和颜色的传统理解仍然与现代主义在设计、材料选择和颜色应用方面的观点相竞争,乡村工艺编织者继续与工业工厂一起谋生。Wuthigrai和他的作品是这种复杂而充满活力的物质文化的产物,突出了传统,同时保留了其当代意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wuthigrai Siriphon: Highlighting tradition
The innovative output of Wuthigrai Siriphon draws on his Thai heritage and extensive knowledge and practical experience of regional textile craft techniques. But whilst his work often references historical forms and colour palettes, his studio textiles are far from staid, exhibiting a modernist sensibility frequently verging on the spectacular. Securely pigeonholing such a creative practitioner is always problematic, but any attempt at categorization is made even more difficult so once the viewer acknowledges the layered nature of South East Asian textile practice. This is a region where traditional understandings of fabric and colour still compete with modernist perspectives on design, material selection and colour application and rural craft weavers continue to make a living alongside industrial factories. Wuthigrai and his ouvre is a product of this complex and vibrant material culture, highlighting tradition whilst retaining its contemporary relevance.
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
28
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