{"title":"贝丝·罗文。线与线之间的线：舞台方向如何影响体现","authors":"Kaitlyn Farrell Rodriguez","doi":"10.3138/md-66-1-rev4","DOIUrl":null,"url":null,"abstract":"The Lines Between the Lines presents stage directions as tools for centring historically marginalized voices; argues for a relationship between stage directions and emotional responses; and highlights the creative potential of affective stage directions, which allow production teams and readers to imagine new possibilities still substantiated by the source play.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"1 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Bess Rowen. The Lines Between the Lines: How Stage Directions Affect Embodiment\",\"authors\":\"Kaitlyn Farrell Rodriguez\",\"doi\":\"10.3138/md-66-1-rev4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Lines Between the Lines presents stage directions as tools for centring historically marginalized voices; argues for a relationship between stage directions and emotional responses; and highlights the creative potential of affective stage directions, which allow production teams and readers to imagine new possibilities still substantiated by the source play.\",\"PeriodicalId\":43301,\"journal\":{\"name\":\"MODERN DRAMA\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MODERN DRAMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/md-66-1-rev4\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/md-66-1-rev4","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Bess Rowen. The Lines Between the Lines: How Stage Directions Affect Embodiment
The Lines Between the Lines presents stage directions as tools for centring historically marginalized voices; argues for a relationship between stage directions and emotional responses; and highlights the creative potential of affective stage directions, which allow production teams and readers to imagine new possibilities still substantiated by the source play.
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