{"title":"索塔文托的肖像:亚伯拉罕·博斯克与J·A·斯特鲁布的摄影对话","authors":"J. Strub, Abraham Ávila Quintero","doi":"10.25120/etropic.21.1.2022.3860","DOIUrl":null,"url":null,"abstract":"Resulting from a series of conversations between its co-contributors, this photo-dialogue considers themes of nature-culture entanglements through the photographic work of Abraham Bosque, a documentary filmmaker and photojournalist who has lived in the Sotavento region of Mexico since 2017. Bosque’s work deals with the challenges implicit in portraying a tropical landscape whose vitality is the impetus for its extractivistic plunder. Through their conversations, Strub and Bosque consider eleven portraits-in-place that highlight, explore, and challenge ways of thinking about the relationships between humankind and nature, parochiality and globalization, tradition and modernity, beauty and violence, and the documentarian and their subject, all considered within the context of the Sotavento’s storied tropicality.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Portraits-in-Place from the Sotavento: A Photo-Dialogue between Abraham Bosque and J.A. Strub\",\"authors\":\"J. Strub, Abraham Ávila Quintero\",\"doi\":\"10.25120/etropic.21.1.2022.3860\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Resulting from a series of conversations between its co-contributors, this photo-dialogue considers themes of nature-culture entanglements through the photographic work of Abraham Bosque, a documentary filmmaker and photojournalist who has lived in the Sotavento region of Mexico since 2017. Bosque’s work deals with the challenges implicit in portraying a tropical landscape whose vitality is the impetus for its extractivistic plunder. Through their conversations, Strub and Bosque consider eleven portraits-in-place that highlight, explore, and challenge ways of thinking about the relationships between humankind and nature, parochiality and globalization, tradition and modernity, beauty and violence, and the documentarian and their subject, all considered within the context of the Sotavento’s storied tropicality.\",\"PeriodicalId\":37374,\"journal\":{\"name\":\"eTropic\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"eTropic\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25120/etropic.21.1.2022.3860\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"eTropic","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25120/etropic.21.1.2022.3860","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Portraits-in-Place from the Sotavento: A Photo-Dialogue between Abraham Bosque and J.A. Strub
Resulting from a series of conversations between its co-contributors, this photo-dialogue considers themes of nature-culture entanglements through the photographic work of Abraham Bosque, a documentary filmmaker and photojournalist who has lived in the Sotavento region of Mexico since 2017. Bosque’s work deals with the challenges implicit in portraying a tropical landscape whose vitality is the impetus for its extractivistic plunder. Through their conversations, Strub and Bosque consider eleven portraits-in-place that highlight, explore, and challenge ways of thinking about the relationships between humankind and nature, parochiality and globalization, tradition and modernity, beauty and violence, and the documentarian and their subject, all considered within the context of the Sotavento’s storied tropicality.