黑色金属建筑

IF 0.7 0 MUSIC
Ketil Thorgersen, Thomas von Wachenfeldt
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引用次数: 0

摘要

摘要:本文基于一项研究结果,研究了年轻黑金属音乐家如何构建他们的音乐学习和社交。在本文中,我们将关注该研究中的一个方面;这是建筑理论中经典理想的痕迹。运用培养理论,探讨黑金属音乐家表达的非正式音乐教育理念与当代制度化音乐教育的相似之处。在这篇文章中,德国和北欧18世纪的“建设”概念将被解释为通过与已经继承或内化的知识的辩证法过程将知识结合和语境化的组成部分。探索、识别和比较Black Metal和Bildung中发现的教育过程之间的联系,乍一看似乎是一项毫无意义的任务,并且潜在地具体化了Black Metal中发现的问题元素。然而,正如我们所讨论的那样,培养和黑金属的共同特征,例如通过对理所当然的批评来启蒙,崇高的Gesamtkunstwerk和努力成为上帝形象的虚无主义者,有助于揭示在培养理论的基础上理解黑金属学习过程的方式。我们这样做是为了提供工具,以促进对霸权音乐教育话语的批判性讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Black Metal Bildung
Abstract:This article is based on results from research that addressed the ways young Black Metal musicians construct their musical learning and socialization. In this article we will focus on one of the strands in that study; a trace of a classic ideal from Bildung theory. Using Bildung theory, we explore similarities between the ideals and concepts in the expressed informal music education from Black Metal musicians and contemporary institutionalized music education. In this article the German and Nordic 18th century concept of Bildung will be interpreted as the component that binds and contextualizes knowledge by a dialectic process with already inherited or internalized knowledge. Exploring, identifying, and comparing links between the educative process found within Black Metal and Bildung might at first sight seem to be both a pointless task and potentially reifying of problematic elements found within Black Metal. However, as we discuss, common features of Bildung and Black Metal, such as enlightenment through criticism of the taken-for-granted, a sublime Gesamtkunstwerk and a nihilist striving to become an image of God, help to reveal those ways Black Metal learning processes can be understood inthe light of Bildung theories. We do so in order to present tools for furthering the critical discussion of hegemonic music educational discourses.
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来源期刊
CiteScore
1.60
自引率
10.00%
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