{"title":"柏拉图论巴门尼德","authors":"M. Donato","doi":"10.14195/2183-4105_22_7","DOIUrl":null,"url":null,"abstract":"This article primarily tackles implicit poetic references in the Parmenides, trying to show that Plato adverts the reader that he’s going to adopt a different style of writing in the second part of this dialogue. The choice of a new dialogical form is a turning point in the evolution of Plato’s writing, and this new form of Socratic dialogue (paradoxically “non-Socratic”) will be reused and refined in later writings such as the Sophist, in which a clear allusion to the Parmenides’ literary innovation can be traced.","PeriodicalId":53756,"journal":{"name":"Plato Journal","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Platon sur le Parménide\",\"authors\":\"M. Donato\",\"doi\":\"10.14195/2183-4105_22_7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article primarily tackles implicit poetic references in the Parmenides, trying to show that Plato adverts the reader that he’s going to adopt a different style of writing in the second part of this dialogue. The choice of a new dialogical form is a turning point in the evolution of Plato’s writing, and this new form of Socratic dialogue (paradoxically “non-Socratic”) will be reused and refined in later writings such as the Sophist, in which a clear allusion to the Parmenides’ literary innovation can be traced.\",\"PeriodicalId\":53756,\"journal\":{\"name\":\"Plato Journal\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-10-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Plato Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14195/2183-4105_22_7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Plato Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14195/2183-4105_22_7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
This article primarily tackles implicit poetic references in the Parmenides, trying to show that Plato adverts the reader that he’s going to adopt a different style of writing in the second part of this dialogue. The choice of a new dialogical form is a turning point in the evolution of Plato’s writing, and this new form of Socratic dialogue (paradoxically “non-Socratic”) will be reused and refined in later writings such as the Sophist, in which a clear allusion to the Parmenides’ literary innovation can be traced.