Primbon:Kraton Yogyakarta的代表

Q1 Arts and Humanities
Interiority Pub Date : 2022-01-30 DOI:10.7454/in.v5i1.177
Ami Arfianti, Murni Rachmawati, Purwanita Setijanti
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引用次数: 1

摘要

Primbon作为爪哇人的当地知识,几十年来一直是爪哇人日常和仪式生活的指南,包括建筑。本文旨在调查在日惹宫(Kraton Yogyakarta)中使用普里姆邦作为苏丹(国王)的代表。本研究通过解释性批评的方式来揭示原始邦在规则和原则下的一致性程度,试图形成理解原始邦的新视角。分析的重点是Primbon Betaljemur Adammakna的第172和194–196节,该节涉及建筑物的排列。通过将这些诗句音译成英语,并解释这些诗句在日惹桔井的应用,本研究展示了普里姆邦诗句在桔井建筑布局中的表现。对普里姆邦的研究揭示了克拉顿作为地球在宇宙中的代表的作用,而这里的代表展示了建筑设施的层次安排,从神圣到非神圣,或从私人到公共。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Primbon: Representation of Kraton Yogyakarta
Primbon as Javanese local knowledge has been a guide for Javanese everyday and ritual life, included buildings, for decades. This paper intends to investigate the use of primbon in the Kraton Yogyakarta (Palace of Yogyakarta) as the representation of the sultan (king). The investigation was conducted through interpretive criticism to reveal the degree of conformity under the rules and principles in primbon as an attempt to form a new perspective in understanding the primbon. The analysis focuses on verses 172 and 194–196 of Primbon Betaljemur Adammakna, which deals with the arrangement of buildings. By transliterating the verses into English and interpreting the application of the verses in Kraton Yogyakarta, the study demonstrated the manifestation of the primbon verses in the kraton’s building arrangement. The study of primbon reveals the role of kraton as the representation of the earth in the universe, while the representation here displays the hierarchical arrangement of building facilities, from sacred to nonsacred or from private to public.
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来源期刊
Interiority
Interiority Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.10
自引率
0.00%
发文量
16
审稿时长
10 weeks
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