{"title":"能量人:布莱克、尼采主义与英国文化批评,1890–1920","authors":"C. Trodd","doi":"10.1080/14714787.2018.1524310","DOIUrl":null,"url":null,"abstract":"This article examines how, why and for what reasons Blake was coupled with Nietzsche. It asks what writers thought was gained by this critical union and what it indicates about the nature of British art criticism either side of 1900. It addresses larger questions of reputational life, recovery criticism and canon-formation, and offers a vision of how a ‘modern’ Blake came into being.","PeriodicalId":35078,"journal":{"name":"Visual Culture in Britain","volume":"19 1","pages":"289 - 304"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14714787.2018.1524310","citationCount":"0","resultStr":"{\"title\":\"The Energy Man: Blake, Nietzscheanism and Cultural Criticism in Britain, 1890–1920\",\"authors\":\"C. Trodd\",\"doi\":\"10.1080/14714787.2018.1524310\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines how, why and for what reasons Blake was coupled with Nietzsche. It asks what writers thought was gained by this critical union and what it indicates about the nature of British art criticism either side of 1900. It addresses larger questions of reputational life, recovery criticism and canon-formation, and offers a vision of how a ‘modern’ Blake came into being.\",\"PeriodicalId\":35078,\"journal\":{\"name\":\"Visual Culture in Britain\",\"volume\":\"19 1\",\"pages\":\"289 - 304\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14714787.2018.1524310\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Culture in Britain\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14714787.2018.1524310\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Culture in Britain","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14714787.2018.1524310","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Energy Man: Blake, Nietzscheanism and Cultural Criticism in Britain, 1890–1920
This article examines how, why and for what reasons Blake was coupled with Nietzsche. It asks what writers thought was gained by this critical union and what it indicates about the nature of British art criticism either side of 1900. It addresses larger questions of reputational life, recovery criticism and canon-formation, and offers a vision of how a ‘modern’ Blake came into being.